The next day, as usual, the grandmother went to lay flowers in the grave and came across the grandson's body lying on the ground, the servants who were with her manifested themselves and the spirits began to quarrel. His maternal relatives wanted him to be a servant of God, adopting modern practices to represent the family in society. On the other hand, his paternal family wanted him in the hut, serving the family spirits. The shouts reached the village and everyone watched that spectacle of spiritual conflict.
To read
07.05.2026 | by Edna Matavel
Birthplace of one of the greatest Pan-Africanist thinkers of all time, Amílcar Cabral, Guinea-Bissau occupies our collective memory, just like Toussaint’s Haiti, Dessalines, Boukman and Cécile Fatiman, a place reserved for the great luminaries of the history of Pan-African revolutions and struggles. Therefore, we can not be indifferent to the extreme violence that the people of this nation, forged in the struggle, has been facing in the hands of a State ruled by scammers, kleptocrats and murderers, whose Berlin-style agenda has been nothing but the destruction of that ‘broad road of hope’ built by the greatest collective endeavour this people has ever undertaken: the struggle for independence.
Mukanda
01.05.2026 | by Apolo de Carvalho, Alexssandro Robalo, Sumaila Jaló and Yussef Marta
For many in Libya, the Jamahiriya remains a reference point of lost sovereignty and stability. Such views are reinforced with every new revelation about Libya’s subjugation to outside forces. One of the latest insights into this subjugation came when the US Department of Justice released documents revealing that, during NATO’s intervention in Libya, Jeffrey Epstein worked with former British and Israeli intelligence officers in an effort to access billions in Libyan state assets frozen in Western countries.
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30.04.2026 | by Owen Schalk
It needs to address the fluid religious imagination of many African Christians who easily migrate from mainline Christian groups like Catholicism to Pentecostalism and African traditional religion. This means the Catholic church needs a moment of self-introspection to ask if it is really meeting the people at their points of need. Is it a church that bears the narratives and wounds of the people?
I'll visit
24.04.2026 | by Stan Chu Ilo
Violence such as sexual assault continue to be a factor that inhibits women's full participation in public life and access to employment. But there is also the matter of denial of their existence as citizens of Angola, which manifests itself in the difficulty of accessing civil registry records. Recently, within our women's movement, We conducted a project in the municipality of Cubal where, out of a group of about 300 women, only two or three had identification cards.
Body
24.04.2026 | by Sizaltina Cutaia
By prioritizing an approach centered on people’s experiences, it presents itself as a humanising discipline that seeks to capture the nuances of everyday life, beyond the statistical cut-outs and social determinisms. Of course, there are structures, tendencies and politics that go beyond people’s will and that must be analysed (consider the processes of racialisation and precarisation), but a closer look at their strategies, dreams and aspirations allows us to understand the choices available to them within socially defined boundaries, highlighting their strengths and weaknesses. For this reason, this study takes specific localities in order to gain an understanding of the situation of Muslims in Sintra and does not claim to represent the Muslim population as a whole.
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23.04.2026 | by Raquel Carvalheira and José Mapril
How to embrace these unstable forms, breaking out of other times? To conclude, it is worth returning to the concept of “critical hospitality” mentioned by Brandstetter in the preface. Alexandra Balona puts this concept into practice through the creation of an essayistic methodology and a critical writing that works by approximation and through engagement with the artwork, seeking to remain hospitable to its intensity.
Stages
21.04.2026 | by Liliana Coutinho
Renewed uncertainty around US engagement, including signals of potential funding reductions, institutional disengagement, and a second withdrawal from the Paris Agreement, has reintroduced questions about the durability of global climate commitments.
To read
21.04.2026 | by Nelly Madegwa
Modern-day slavery is the lot reserved for Kenya’s youth by a government once invested in the education of the country’s young but now content to send them to foreign lands as labour exports.
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21.04.2026 | by Keith Ang'ana
There was also a clear intention of appropriation of the archives, especially the written sources. As Saidiya Hartman points out, for enslaved people, the archive is always an encounter with violence: they appear in the records only when they are bought, shipped or landed. It is never they who leave behind their own writings or their version of the story. It is always the oppressor, the enslaver, who writes. Therefore, this file is inevitably contaminated by this historical violence, and still existing on the present day. But I felt that I had the right to make it my own, to take from it whatever served the film’s purpose: to tell this story in a free, expanded and contemplative way.
Face to face
20.04.2026 | by Marta Lança
Africa also has the potential to position itself as a hub for renewable energy and sustainable finance. With vast solar and wind resources, expanding urban centres, and an increasingly digital financial sector, the continent could leapfrog towards a greener future if investment and regulation advance together.
I'll visit
07.04.2026 | by Paola D'Orazio
In this continuous movement, between emergence and disappearance, the sea becomes cyclical memory: it brings fragments back to shore, smooths them, disperses them again. Nothing is ever truly lost; everything returns transformed. So too the stories of the island, Taíno, African, Haitian, Dominican, are not erased, but rewritten in a rhythm that is not linear, but circular. Like the waves, advancing and retreating without ever ceasing, history persists. And in their coming and going, they hold what has been, what is, and what has yet to emerge.
I'll visit
23.03.2026 | by Carlotta Pisano
These practices were serious enough for the newly independent African nation of Ghana to lodge a legal complaint against Portugal before the International Labour Organisation in 1962, helping to expose the fallacy of Portuguese benevolence towards its black population (Wolfson et al., 2009). As such, Eusébio, falsely made into a symbol of a non-racist past, functions to soften colonial realities and to silence the everyday racism experienced by African and Afro-Portuguese figures, who could not speak up at the time, in contrast to the anti-racist activism of Vinícius Jr. today.
To read
11.03.2026 | by Andrew Nunes
Portugal did not begin the taking. It widened the road. The desert and the ocean became parallel corridors of the same long project. The Trans-Saharan slave trade would run for twelve centuries in total. It trafficked an estimated ten million people, and yet it is barely spoken of. In the West, it barely exists as a cultural fact at all.
To read
26.02.2026 | by Chinenye Egbuna Ikwuemesi
Dance Not Dance lets ghosts circulate in their truncated transience, leaving us with the task of tying up loose ends. Another of these ghosts is Valentim de Barros, who was admitted to the Miguel Bombarda Psychiatric Hospital by the fascists with a diagnosis of “homosexual pathology”. It is one of the several disabled bodies that the new dance has recovered in its affirmation of a becoming queer and becoming crip. But in these archaeologies, some absences are also felt.
I'll visit
22.02.2026 | by Rui Eduardo Paes
The famine was, like José Vicente Lopes says, “Cape Verde`s holocaust”. The Portuguese colonial regime orchestrated this horrific crime by abandoning the islanders in various ways, even preventing them from implementing survival strategies. For example, it prohibited boats loaded with food sent by the Cape Verdean diaspora to help the starving people, to reach their destination.
Afroscreen
19.02.2026 | by Apolo de Carvalho
For more than 35 years, Serbian society has been in a state of continuous disintegration. Almost nothing functions as it should. The wealth that had been collectively produced during Yugoslav times, was systematically privatized, creating a narrow elite of multimillionaires and billionaires whose power is rooted almost entirely in the capture of public resources and state-funded projects.
To read
18.02.2026 | by Marijana Cvetković
Amélia’s grandchildren and great-grandchildren speak many languages, have different hair colours, and hold many different passports. They have lived a wide range of experiences. Yet they are all part of the same family. When they meet, they share a sense of belonging to something beyond words, categories, or distinctions. So what is this family identity? Who knows? Even the family members themselves offer many different answers to that question.
To read
10.02.2026 | by Avital Barak and Edgar Oliveira
The film’s fertile terrain lies in the interstitial spaces between li (here) and lá (there), in the liminal lives and livelihoods, between memory and present, between those who arrived and those born here but carrying another land with them, between a country that calls itself modern and the persistence of underserved informal settlements that persist — despite decades of promises of dignified and universal rehousing — as mirages on the periphery. Rather than an ethnographic outsider’s look, Ali, Aqui proposes a wandering story told from within, a community fiction rather than a docu-drama, based on the rhythms, languages, emotions, textures, pains, and humours of those who inhabit the community.
Afroscreen
17.11.2025 | by Pedro José-Marcellino aka P.J. Marcellino
It is this historical context of political exchanges and utopias that inspired Zineb Sedira to develop Standing Here Wondering Which Way To Go, a multimedia project that delves into emancipatory dreams, transnational networks and conviviality. Borrowing its title from a song performed by African-American singer Marion Williams at the Pan African Festival of Algiers, the exhibition pays homage to the spirit of solidarity and resistance of the global 1960s which was so present in newly independent Algeria. Divided into four ‘scenes’, the project also celebrates culture in its diverse forms as a vital tool for social mobilisation and political consciousness.
I'll visit
13.11.2025 | by Amanda Tavares
