"Behind the Rainbow" de Jihan El Tahri

"Behind the Rainbow" de Jihan El Tahri Behind the Rainbow explores the transition of the ANC from a liberation organization into South Africa's ruling party through the evolution of the relationship between two of its most prominent cadres, Thabo Mbeki and Jacob Zuma. Exiled under apartheid, they were brothers in arms. Under Mandela they loyally labored to build a non-racial state. Now they are bitter rivals. Their duel threatens to tear apart the ANC and the country, as the poor desperately seek hope in change and the elite fight for the spoils of victory. Behind the Rainbow features key interviews with ANC current and former leaders, including Jacob Zuma, Thabo Mbeki, Kgalema Motlanthe, Pallo Jordan, and Terror Lekota.

06.06.2010 | by Olivier Barlet

África is a woman's name

África is a woman's name "Our Forbidden Places", an extraordinary documentary by Leila Kilani, returns to the political repression in Morocco in the time of Hassan II. Three generations of Moroccans evoke a completely human story of heroism and fortitude. Belying their serenity, all the characters form a perfect picture of Morocco today –they are still frightened by memories of being “buried alive” in Tazmamart prison and of countless cries of despair that few dared even to listen to. "Our Forbidden Places" is not really a film about a particular country, but rather it echoes all human memories of torment by extreme forms of state violence, be it blind or selective.

06.06.2010 | by Boubacar Boris Diop

“Catembe” or complaint from the young censored soul

“Catembe” or complaint from the young censored soul Filmed in 1965, “Catembe”, is a fictional documentary directed by Manuel Faria de Almeida about the everyday life in Lourenço Marques. The most outstanding aspect of this film is the fact that it represents the first critical interpretation of the Portuguese colonial reality. After the original piece was censored – with 103 cuts and obliteration of the censored parts – the second version was banned. Only half of its 2400 original metres survived, which led to a reference in the Guinness Book of Records as the film with most censored cuts in the history of cinema.

16.05.2010 | by Maria do Carmo Piçarra

Creative Capacities of Developing Countries

Creative Capacities of Developing Countries In sub-Saharan Africa - with the possible exception of South Africa - the prohibitive cost to produce films, the poor state of cinema houses, the absence of governmental support for filmmaking, and the large offer of foreign films have tied many filmmakers to foreign funding, equipment, expertise, and audiences. Thus, African films have been dependent on overseas financial support which conduces to a type of cinematography not always well-received by African audiences.

15.05.2010 | by Alessandra Meleiro

"The Alcântara Family" –The Saga of a Black Film Production in Brazil

"The Alcântara Family" –The Saga of a Black Film Production in Brazil I began to feel the painful lack of African history in my curriculum and the absence of Afro-Brazilians amongst my college peers. The way blacks were represented (or absent from) the media had bothered me since I was a child. Now, as a film producer, it made me even more uncomfortable. To escape this dilemma, I felt I had to follow my dream of making my own films, but where to begin?

14.04.2010 | by Lilian Solá Santiago

Dakar's Cine-suburb: Young people create a cine-club in Pikine.

Dakar's Cine-suburb: Young people create a cine-club in Pikine. Dakar became overpopulated towards the beginning of the fifties. A displacement of families away from the inner city neighbourhoods was decided by the colonial state: they were truly "evictions" framed within urban planning projects. The Pikine department was created, regrouping "all of Dakar's excluded". Today it accounts for about one million persons: there is talk about "Pikine-Peking".

14.04.2010 | by Rosa Spaliviero