No Breathing! Reflecting Achille Mbembe

No Breathing! Reflecting Achille Mbembe The article by Achille, I think, significantly points out the legitimacy of being limited from obtaining oxygen, by explicitly pointing out that for some parts of the world where healthcare is part of organized neglect, we are faced with more than just the need to physically breathe. There is a prohibition of breathing that is systemic in nature which is part of a larger need for the freedom to breathe (live). For example the violent killings of black civilians by the police in South Africa due to an unchecked implementation of COVID-19 laws and regulations left us questioning the relevance (need) for policing systems embedded in colonial rhetoric.

Face to face

08.04.2021 | by Marcos Jinguba

How Portugal silenced ‘centuries of violence and trauma’

How Portugal silenced ‘centuries of violence and trauma’ References to Portugal’s epic, seafaring past like these litter this city – there is even a Vasco da Gama shopping mall. But until now, there has never been a single explicit reference, memorial or monument in Portugal’s public space to its pioneering role in the transatlantic slave trade, nor any acknowledgement of the millions of lives that were stolen between the 15th and 19th centuries.

Games Without Borders

15.03.2021 | by Ana Naomi de Sousa

The Colonial Unconscious

The Colonial Unconscious It’s a common place to say that the memory production drags with it, inevitably and concomitantly, the forgetfulness production. There are many ways of forgetfulness, the most insidious of which is, undoubtedly, the memory erasure, the past rewriting as part of a deliberated strategy of intervention in the present.

Games Without Borders

13.03.2021 | by António Sousa Ribeiro

The untold liberation stories of Guinea Bissau

The untold liberation stories of Guinea Bissau It is February 1964—one year into the armed struggle for independence in Guinea Bissau against Portuguese colonial rule. Cabral, the independence struggle’s leader, had called a conference in Cassaca for his African Party for the Independence of Guinea and Cape Verde (PAIGC) fighters to re-organize and address inter-party grievances. The Cabral as seen in this and similar photographs, with his defiant stance, dark glasses, and signature knitted stocking cap in spite of the West African heat, would become the iconic image of the West African country. More than fifty years later, the image is still used to signify both Guinea Bissau’s victory in the 11-year independence struggle and the country’s continued hopes for the future. But what about the faces of the young women surrounding the independence hero? Directly to Cabral’s left in the image stands a round-faced, then 14-year old girl, Joana Gomes.

Games Without Borders

04.02.2021 | by Ricci Shryock

Patrice Lumumba, 60 Years Later

Patrice Lumumba, 60 Years Later On June 30, 1960, at the ceremony for the proclamation of independence of the Congo, there were three speeches: from King Baudouin of Belgium, the former colonizing power, the President of the Congo, Joseph Kasavubu, and Patrice Lumumba, Prime Minister, the latter in an intervention not foreseen in the initial protocol. It was a short speech of about twelve minutes, written in an accessible and incisive language, performative and visual, a speech that, as the historian Jean Omasombo Tshonda defends, "founds the independent Congo". The first eight minutes are the clearest definition of what colonialism is from the point of view of a continent, a country, a community, a person.

To read

01.02.2021 | by Margarida Calafate Ribeiro

Fifty Years Later, The Caged Bird Still Sings

Fifty Years Later, The Caged Bird Still Sings My own difficult experience teaching literature bears this out. Students’ response to every African story is that “the white man stole our culture, we are ashamed of our identity and need to return to our cultures”. But even as they limit colonialism to an exclusively cultural enterprise, they are not able to connect with stories of the past to which they say we should return to.

To read

22.12.2020 | by Wandia Njoya

"We now know that colonialism is alive and kicking." The renewal of AfricaMuseum in Matthias De Groof's movie

"We now know that colonialism is alive and kicking." The renewal of AfricaMuseum in Matthias De Groof's movie One of the other ways in which you see coloniality reemerge, is precisely in the mission the museum ascribes itself. "Africa" is an object of study while the idea of representativeness and the desire to be a window on a continent are the basic epistemological principles of imperialist logic. The scenography continues the "chosification" and "domestication"

Afroscreen

23.10.2019 | by Marta Lança

Conference: The Empire of Law. Legality and Other Narrative Tools of Colonialism

Conference: The Empire of Law. Legality and Other Narrative Tools of Colonialism Eurocentric power needs to create narratives about colonial history in order to control interpretations of it. Concepts of law and justice have played an important role in this. Also today, the idea of justice is used to approve violent migratory control policies, including the aggressive persecution, detention, and deportation of persons.

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22.06.2019 | by vários

European masks

European masks Why does Europe (still) have such trouble showing a coherent attitude in the face of discourses which legitimate racism and xenophobia? What are the masks that stop it from accepting its colonial past and understanding, once and for all, that diasporas are part of the richness of the European cultural map?

To read

22.06.2019 | by Felipe Cammaert

"An Outpost of Progress" - interview with Hugo Vieira da Silva

"An Outpost of Progress" - interview with Hugo Vieira da Silva By systematically deconstructing the travel logs and journals of European explorers, scientists and traders who wandered through tropical Africa in the late 19th century, proves that these documents were often idealized or inaccurate and that, most of the time, these Europeans were in a permanent state of ecstasy caused by the disease, high doses of quinine, alcohol, opiates and other drugs.

Afroscreen

14.03.2016 | by António Pinto Ribeiro

“Luso-Tropicalism” and Portuguese Late Colonialism

“Luso-Tropicalism” and Portuguese Late Colonialism The work of Gilberto Freyre demonstrates his singular conception of time, merging past, present and future. Such conception shows us the ambiguities and contradictions when he speaks of the luso-tropical  community. At times, he presents it as a past reality, dated from the 15th and 16th centuries, other times as a living, present reality, and other times even as future, destiny, idealization. It is mainly as a project that the idea of a luso-tropical  community survived its author after the Portuguese empire ended. And it continues to this day in the Community of Portuguese Language Countries and in the more consensual political and ideological discourse about Portugal’s position in the world.

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28.05.2015 | by Cláudia Castelo

Colonialism on film: how cinema finds new ways to bust an old Tabu

Colonialism on film: how cinema finds new ways to bust an old Tabu ECAScreening6: A pair of Portuguese-language films quietly examine the standoff between old Europe and modern multiculturalism. Tabu was "Paradise Lost"; set in a forlorn, present-day Lisbon in which a middle-aged Christian, Pilar, takes a neighbourly interest in the affairs of Aurora, an elderly gambling addict who indulges in mild racism towards her Cape Verdean housekeeper, Santa. When Aurora dies, and Pilar tracks down the woman's former lover, the film's buttoned-up realism blossoms into "Paradise", a stylised account of the couple's days in Portuguese Africa. The affair is conducted against a stylised backdrop that is like a cinematic stampede of past-colonial fantasies and attitudes, from FW Murnau to Tarzan escapades, to the quirk-filtered nostalgia of Wes Anderson.

Afroscreen

16.06.2013 | by Phil Hoad

Lusosphere is a bubble

Lusosphere is a bubble Lusosphere has a long way to go to become more interesting. If considered from the Portuguese standpoint, lusosphere reverberates the colonial past, people relate to and interest in the stories of each other more forcefully within the boundary of this "imagined community" that, despite this name, does not help them in living conditions and, if a Lusophone project exists, in most respects it has failed miserably.

Games Without Borders

03.10.2011 | by Marta Lança