What  Sophiatown was to Mzansi or Harlem to New York, in Maputo the  neighbourhood of Mafalala has over the course of decades given rise to  some of Mozambique’s leading figures, from the musicians who forged the  country’s signature marrabenta sound and poets who led the fight against  Portuguese colonialism, to its sports icons and post-independence  leaders.
The fifth edition of the Mafalala Festival has been taking place  recently during the month of November 2012. Still small, it saw a wide  variety of activities that all address the multiple contributions the  people and culture of this neighbourhood have made – from a local soccer  tournament, food, jam sessions and dance to film and photography  exhibitions and public forums.
When the country’s capital moved to Maputo in 1898, the area saw an  influx of people from all over the country as well as further afield  from areas such as the Comoros and Zanzibar. A vibrant and diverse  community emerged, one that represented all of Mozambique’s many ethnic  groups. Many were Muslim and today Mafalala still boasts several  mosques. To maintain colonial power relations and provide for future  expansion, brick houses were not allowed in Mafalala, only reed and tin  structures, many of which remain today giving the area its distinctive  look and character
Of the peoples who came to the district, the Macua group from Nampula brought with them their unique dances, including nifalala, from which the area took its name. Today dances such as tufo, matsepo and ndzope remain a central part of cultural celebrations in Mafalala.
In the 1940s, the tin houses of Rua da Guine provided residents with  entertainment of all kinds – food, music and women. At Gato Preto  (‘black cat’), musicians worked fun-lovers into a frenzy, calling for  them to ‘Rebenta!’ (‘dance til you burst’). The music that emerged,  marrabenta, remains cental to Mozambican culture.
In the 1950s, Mafalala residents Noemia de Sousa and José Craveirinha  emerged as key figures in Mozambique’s cultural and intellectual  struggle for freedom. Later, political leaders including Samora Machel  and Joaquim Chissano worked and lived in Mafalala. Soccer legend Eusebio  cut his teeth on the dusty field on Rua de Goa in the centre of the  bairro, the same place where Olympic champion Maria Mutola (from nearby  Chamanculo) was first spotted playing soccer by Craveirinha.
Organised by local NGO Iverca, the Mafalala Festival aims to  celebrate their legacy and bring attention to this still vibrant  district in the heart of Maputo. Says organiser Ivan Laranjeira: “We  started the Mafalala Festival because we wanted to promote the good side  and the talents of Mafalala and to democratise culture, which in Maputo  is for a certain elite and located in town. We wanted to to revive the  vibrant cultural past of this zone and merge it with the present activities.”
While debate grows over plans to develop the area as Maputo enjoys a  wave of investment and development, inititatives such as the festival  help to remind people of the importance of the past.
By Dave Durbach.