centro de estudos comparativistas
Postes avec la étiquette centro de estudos comparativistas
Archives
Auteur
- administrador
- adrianabarbosa
- Alícia Gaspar
- arimildesoares
- camillediard
- candela
- catarinasanto
- claudiar
- cristinasalvador
- franciscabagulho
- guilhermecartaxo
- herminiobovino
- joanapereira
- joanapires
- keitamayanda
- luisestevao
- mariadias
- marialuz
- mariana
- marianapinho
- mariapicarra
- mariaprata
- martacacador
- martalanca
- martamestre
- nadinesiegert
- Nélida Brito
- NilzangelaSouza
- otavioraposo
- raul f. curvelo
- ritadamasio
- samirapereira
- Victor Hugo Lopes
Data
- juin 2026
- mai 2026
- avril 2026
- mars 2026
- février 2026
- janvier 2026
- décembre 2025
- novembre 2025
- octobre 2025
- septembre 2025
- août 2025
- juillet 2025
Étiquettes
- #amaliaescriva #argélia #africa #africanstudies #independência #cineasta
- a face to open doors
- Amazónia o cinema
- André M. Santos
- Bwana Kitoko
- Cheny Wa Gune
- Coletivo Peles Negras Máscaras Negras
- fazuma
- festivais de arte
- festival internacional de cinema
- gamelão
- guimarães
- humanitario
- Laura falésia
- Marcelo Brodsky
- motins
- música
- Ruben Zacarias
- Sérgio Costa
- Umbigo do Mundo
Les plus lus
- Festival Panos
- Essas pessoas na sala de jantar
- O legado cultural e político de Mário Pinto de Andrade
- Novela gráfica «Caderno de Memórias Coloniais», de Isabela Figueiredo e ilustrações de Júlia Barata
- Ceci n’est Pas Francisco, de Marta Pinto Machado
- Restaurar o Futuro, conferência de David Scott
- A cultura nos Açores tem agora o seu próprio radar
- Como falar com(o) a terra? IV CONFERÊNCIA INTERNACIONAL COUNTER-IMAGE
- MEXTO e WAAU reforçam presença na ARCOlisboa 2026 com programação dedicada à arte africana contemporânea
- Homenagem a Adolfo Gutkin e ¡Que viva Cuba!

Ann Laura Stoler will discuss her recent edited volume Imperial Debris: On Ruins and Ruination (Duke University Press 2013). The book challenges us to turn away from the placid noun “ruin” and the nostalgias it engenders to “the ruin” as a violent, political verb. It is a book that seeks to disrupt facile distinctions between political history and poetic form, urging us to think differently about both the language we use to capture the tenacious hold of colonial effects and their tangible, if elusive, forms. At the center of this project are two sets of relationships: one, between colonial pasts and how we discern their form and content in postcolonial presents without assuming we know in advance what they are, and, two, the relationship between new “tactile” methodologies and a more acute conceptual vocabulary that is attentive to the occluded, unexpected sites in which earlier imperial formations have left their durable traces, and in which contemporary inequities are refurbished and secured through them.