Why does this matter? Some experts argue that the saturation of elections has significant downsides — exhausting voters and hurting the quality of governance by pushing lawmakers toward more campaigning, fund-raising and short-term thinking.
Games Without Borders
08.11.2022 | by German Lopez
At its heart, MIXED is an exploration of racial and cultural identity. MIXED deals specifically with people that have mixed heritage, delving into the experiences of each subject that also echo his own. The series addresses the existential feeling of not fully belonging, while examining the cost of assimilation within society. The conversations focus especially on the contradiction of fitting in everywhere but nowhere at the same time and the resulting shoot is a collaboration that encompasses the themes considered.
Stages
02.11.2022 | by Theo Gould
Always identified with audacity, - or, as seen in the international press, marked with “controversies” and even “scandals” - the event is among the largest and most important in the art world. The fifteenth edition that was recently carried out was not exempt from a “scandal”: the unanimity of the German press in its judgment of anti-Semitism.
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02.11.2022 | by Cheong Kin Man
This exhibition presents around 60 works by 21 artists whose family origins lie in the former colonies in Africa. Born and raised in a post-colonial context, they are artists whose works have become unavoidable in European contemporary art, proposing a reflection on their heritage, their memories and their identities.
To read
01.11.2022 | by Marta Lança
Growing up, Felipe Adão had to navigate two worlds: one as a Brazilian, the other as an Afro-Brazilian. He studied at private schools, but lived in an underprivileged area of Campinas, a city in the state of São Paulo. Both his friends from school and his friends from the street had an influence on his upbringing.
Games Without Borders
21.10.2022 | by Jessy Damba Diamba
The exhibition, which aims to give voice to a young generation of photographers in Poland, also includes the work of Irena Kalicka, a young artist who is critical of her country’s tendency to turn to the extreme right. I had the opportunity to present a photograph of her in the magazine “Fantasia Macau” last year.
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21.10.2022 | by Cheong Kin Man
Shortly after Amini’s violent death on 16 September, protests broke out and spread from the Kurdish parts of Iran to the whole country and the world. Demonstrators chanted the Kurdish slogan “jin, jiyan, azadî” – “woman, life, freedom”. But in news reports, particularly Western ones, Jîna Amini’s Kurdish identity has been erased – she is described as an Iranian woman and her ‘official’ Persian name ‘Mahsa’ – which for her family and friends existed only on state-documents –is the one in headlines. Calls to “say her name” echo in real life and across social media but unwittingly obscure Jîna’s real name and, in doing so, her Kurdish identity.
Games Without Borders
18.10.2022 | by Meral Çiçek
In the aftermath of Mahsa Amini’s death under Iran’s state custody, students have recently given a new energy to the weeks-long protests. They launched large demonstrations at Tehran University on Saturday and Sharif University on Sunday, according to a stream of videos that continue to be released. Protests were also reported at campuses in the central city of Isfahan, Kerman in the south, Mashhad in the northeast, Tabriz in the northwest, and elsewhere.
Games Without Borders
12.10.2022 | by Sanya Mansoor
Angola is a nation still recovering from years of war and internal conflict, but photographer Kim Praise has his heart set on capturing the nation’s beauty, and the ways in which it’s evolving for the better. He tells writer Ify Obi about his favorite things about his home, and why he’s determined to paint the country—and its people—in a new light.
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12.10.2022 | by Ify Obi
This series continues the investigations that singularise Chagas’ work, namely the attention to the experiential and affective relationships that subjects establish with everyday objects and spaces, countering fast rhythms of consumption through a decelerated gaze that closely scrutinises discarded materials, shapes and textures. However, the series simultaneously marks a kind of turning point, insofar as, unlike previous series carried out in various urban public spaces to the North and South, vaguely identified (the streets and beaches of Luanda, Venice, London and Newport, etc.), in this series, for the first time, the photographer focused on the indoors and outdoors of a specific architecture.
I'll visit
29.09.2022 | by Ana Balona de Oliveira
For PARLA_MUTE his latest show at Michael Janssen Gallery in Berlin, Yonamine presents a series of posters and silkscreens made from a number of phrases and graphic material picked up, once more, from the streets and transformed incessantly through the remix. We should prepare ourselves, once more, for a poignant show filled with seemingly contradictory messages—“It’s expensive to be poor” resonates strongly, or think about the title if one reads it on a bilingual horizon—in which the incessant variations of a handful of themes take centerstage, as they unfold and unfold infinitely.
I'll visit
02.09.2022 | by Yonamine and José Luis Falconi
I believe that through art we can find a strong path of remembrance. Artists are able to communicate across temporalities and spaces, which traditional historiographical treatment could hardly accomplish. Artists who work with individual and personal history build empathy through works compared to academic research. Colonial monuments and street names left un-vandalized are not neutral spaces. As static as stone and tarmac may seem, memory is a process, not something carved and eternally preserved. New practices of memory preservation, from manifold perspectives, allow for addressing misconceptions and novel understandings of where certain contemporary situations emerge. In the absence of these practices, our imaginary becomes an accomplice to denials of violent that can always be repeated in unexpected ways.
To read
27.08.2022 | by Marta Lança
Institutionalized violence shapes who people are—victims and perpetrators alike—to an extent that only the recovery of the condition of plurality can undo it. This points to the most basic right immanent to the human condition, which imperialism constantly compromises: the right not to act against others; in its positive formulation: the right to act alongside and with one another. “Accepting this right in its two forms as fundamental is necessary in order to imagine reparations, so the bliss of being active and repairing what was broken can be attained.
Mukanda
11.08.2022 | by Ariella Aisha Azoulay
As agitprop, People’s Justice isn’t complex. On the right are the simple citizens, villagers and workers: victims of the regime. On the left are the accused perpetrators and their international accomplices. Representatives of foreign intelligence services – the Australian ASIO, MI5, the CIA – are depicted as dogs, pigs, skeletons and rats. There is even a figure labelled ‘007’. An armed column marches over a pile of skulls, a mass grave. Among the perpetrators is a pig-faced soldier wearing a Star of David and a helmet with ‘Mossad’ written on it. In the background stands a man with sidelocks, a crooked nose, bloodshot eyes and fangs for teeth. He is dressed in a suit, chewing on a cigar and wearing a hat marked ‘SS’: an Orthodox Jew, represented as a rich banker, on trial for war crimes – in Germany, in 2022.
To read
10.08.2022 | by Eyal Weizman
In January 2022, Xiomara Castro became Honduras’s first woman president, restoring electoral democracy to the country after more than a decade of dictatorship. Running with the leftist Liberty and Refoundation (LIBRE) party, Castro’s election breaks with the century-old two-party system that traded power between elites in the establishment National and Liberal parties. With a mandate for transformation and high popular expectations, Castro faces significant challenges in a context of profound systemic crisis.
Games Without Borders
25.07.2022 | by Hilary Goodfriend
The focus of the Paris conference was on Glissant’s key concepts of relation, opacity, creolization, and disaffiliation. The Martinique-born writer and thinker was, of course, the first philosopher of post-filiation, by which I refer not only to his rebellious thesis of disaffiliation, in the sense of breaking with a genealogy and tradition of Western and non-Western philosophies concerned with binary opposition and contradiction, but also to him as a self-engendered philosopher. By this I mean that he re-created himself in order to surpass a pathological inextricability, which he associated with our contemporary human condition. Indeed, to say that Glissant is a post-filiation philosopher is mostly to recognize his role as a theorizer of the concept of relation, which moves beyond the oppositional discourse of the same and the other, operating instead with a new vision of difference as an assembler of the “dissimilars.”
Mukanda
06.07.2022 | by Manthia Diawara
Stuart Hall’s ironic use of “the west and the rest” is very real in the fixation among South Africans with “us” and “Africa”. It was encouraging that a sense of South Africa’s inextricable connectedness to the rest of the continent surfaced at moments in the FMF struggle. But the curiosity about and interest in African politics, literature, and academic knowledge still hasn’t really taken off, whether among students or established scholars.
Face to face
30.05.2022 | by Sean Jacobs
This particular building evoked the Lebanese capital for various reasons, not only its colonial-style architecture and Ottoman-esque windows but also the fact that one of its sections was fully collapsed – a common architectural repercussion in the formerly relentlessly celebrated “Paris of the Middle East”. Following its so-called “golden age” in the mid-20th century, Beirut had gone on to host, inter alia, a 15-year civil war (1975-90), brutal Israeli military assaults backed by the United States, vast post-war demolitions in the interest of historical amnesia and ever-savage elite enrichment, and the Beirut port explosion of August 2020.
City
04.04.2022 | by Belen Fernandez
In the wall text of the exhibition dedicated to African heritage “Appropriating objects and colonial fictions of Africa”, the curators state that “the current projects aim at the decolonization of collections through cooperation with partners from the societies of origin”. However, is this premise really being put into practice?
I'll visit
30.03.2022 | by Ana Temudo
In the collective’s prolific and extensive filmography, the gesture of deconstructing the audiovisual and cinematic grammar is inseparable from the disarticulation of the hegemonic perceptive, cognitive, representative and scopic regimes. Los Ingrávidos’ work shifts indeed to a theoretical reflection, formalised in a correlative film praxis, focusing on the intersection between different domination categories related to the capitalist-colonial-patriarchal system. Their films aim, precisely, to disarticulate the perceptive-cognitive models and the audiovisual and cinematic forms resulting from domination categories.
Games Without Borders
21.03.2022 | by Raquel Schefer