Meanwhile, at the resort, the tourist gets bored with the life of being comfortably laying down, among flabby women taking selfies, strutting families, monotonous food, and swimming pools all the time. The entertainment area only offers the disinterest of bored couples, or a group of bank colleagues getting loudly drunk. The islet has little of the Africa he had dreamed of (except for the impressive landscape, but that resembled some corner of Brazil). The local inhabitants, all expelled for pocket change to build little houses and free up the islet for tourists. A few young people from São Tomé who come and go in little rubber boats to sell handicrafts to tourists and fish to the restaurants. If he manages to extract information about the lives of the “locals,” as he was told, it is perfectly conditioned by the commercial relationship that mediated them.
Mukanda
27.05.2024 | by Marta Lança
French ethnologist Jean-Yves Loude returned to the “black city” for a workshop on the figure of Lisbon in literature (you can consult the program here) and insists on counteracting the manipulation of facts that erases the African contribution to the great achievements of the world.
In Lisbon in the Black City (2003) the narrator discovered a city full of signs of this African presence and showed us this privilege as Lisbon residents.
Face to face
16.05.2024 | by Marta Lança
Further deepening tensions that already existed between people who had often been enemies and who were now forced to live as compatriots in territories forced upon them by external forces. The colonizers began to give better treatment to those who were “assimilated” and, even better, those who were lighter and had “fine” features. And so, in a process of mimesis in relation to the concepts that reward the ideology of racism, the ideology of colorism emerges in which, the lighter and with finer features the Black person is the more easily they ascend socially.
To read
10.05.2024 | by Aoaní d'Alva
Shot of Avenida Marginal: tourists walk along it for leasure, Cape Verdeans working. The accumulation of images creates a parallel view, of a world that interacts, but is mutually unaware of each other. We then begin to discover a reading line of the movie. The two worlds are presented to us in a certain manichaeism, famously assumed by the directors. On one side, the resilience of the islanders and their ability to take advantage of scarce resources. The struggling Cape Verdeans who resist the constraints that harass them, whose difficult lives are mitigated by interpersonal relationships of solidarity and some alienation.
Afroscreen
08.05.2024 | by Marta Lança
In Kwanza-Sul, she noticed the various rhythms and grandiosity of a country that cultivates laughter and a short memory to defend itself from the dramas that dehumanize it: slavery, colonialism, domination, small and large powers, opportunism, and ignorance. How dizzying the scheme of history in everyday life is. The generation to which she belongs worried about recovering the lost cultural memory in these violences and others, also with a vivid and intriguing look of the naivety and militancy of independence. I
Face to face
13.04.2024 | by Marta Lança
It’s having for background the growing influence of the Internet/Social Networks in Angola and the extraordinary increase in information available from the most diverse sources, the importance of the role of the journalist among us has also been increasing, as is the case in other geographical contexts.
To read
04.04.2024 | by Reginaldo Silva
For a long time, we treated art as an illustration, the idea that it was a product of its context. But what if we inverted that, since we live in an image civilization, and think of an image as a production, not a product, it produces values, it produces conceptions. And also, when you criticize internally that whiteness classification, we can go through a lot of different questions: who are the people being portrayed? They are, in general, men.
Face to face
28.03.2024 | by Marta Lança
A investigação expõe o uso de um sistema chamado "Habsora" ("O Evangelho"), que utiliza tecnologia de Inteligência Artificial para gerar quatro tipos de alvos: alvo tático, alvo subterrâneo, alvo de energia e casas de família. Os alvos são produzidos de acordo com a probabilidade de que combatentes do Hamas estejam nas instalações. Para cada alvo, é anexado um arquivo que "estipula o número de civis que provavelmente serão mortos num ataque". Esses arquivos fornecem números e baixas calculadas, para que, quando as unidades de inteligência realizam um ataque, o exército saiba exatamente quantos civis provavelmente serão mortos.
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02.03.2024 | by Anaïs Nony
Four hundred years after the institution of slavery set off mechanisms devaluing African aesthetics, many on the continent still have a difficult relationship with African women’s hair. Granted, the natural hair movement has gathered momentum in African countries in the past five years, following earlier trends in the US and Europe. Many more young women today wear natural styles unapologetically just like Ms. Universe 2019. Yet resistance to natural hair, in particular afros and dreadlocks, persists.
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23.02.2024 | by Yarri Kamara
The river remembers the arrival of extractivism. One day many years ago, she feels the wake of huge ships against her current and became uneasy. Over time, she comes to share shivers with felled forests, to balk at the blanched palette of monocrop agriculture, to recoil at the sharp poisonous taste of chemical waste, and to deeply mourn the disappearance of her people: people sold into slavery, killed by disease, worked to death in mines, and severed from her nurturing flows by the breaking of their cultures. Oh, what she has seen. Oh, what she has endured.
Mukanda
24.12.2023 | by Imani Jacqueline Brown
Lee-Ann Olwage, who admits she struggles with her own mental health issues, also has family members who have suffered or are suffering from Alzheimer's. For this reason, she states that, with her work, she aims to create a space in which the people she photographs can play an active role in creating the images and that, above all, makes them feel like the true “heroines” of their own stories.
Face to face
13.12.2023 | by Mariana Moniz
The undersigned express our solidarity with the Kurdish movement made up of children, young people, women, diverse identities and the Kurdish people in struggle for their rights to autonomy and self-determination. And through our personal and collective voice we want to let the world know what is happening in Kurdish territory right now.
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08.10.2023 | by várias
We demand that the Portuguese state, particularly the justice system, recognize the racial motivation behind this assault. We demand that, once and for all, it abandons a "minimalist" legal understanding of racism. We demand that it breaks away from the harmful pattern of denying racism, which endangers the lives of our children, our youth and the democratic life of this country.
Mukanda
04.10.2023 | by vários
Without prejudice to the investigation currently undertaken by the Independent Commission of the Center for Social Studies - whose findings are not yet known - with this statement, we want to express our solidarity and support with all the victims of sexual violence and moral harassment, as well as our support for denouncing these forms of violence anywhere, including at the Centre for Social Studies. We stand against any form of abuse of power
Mukanda
25.09.2023 | by várias
This controversy raises many questions, two of which we want to bring to the attention of the international academic community: Can we, as an academic community, allow a private publisher to intervene in and even censor such an important, urgent and necessary debate in our professional field? Academic writing is still the core tool of academic knowledge production worldwide, but when we as researchers are no longer allowed to reflect critically about how to transform our field from within, what are the implications for critical reflection on academia from within?
Mukanda
20.09.2023 | by várias
We present ourselves as a collective of women who have suffered different types of violence as a result of the pattern of abuse of power that was naturalized in the work teams led by Boaventura de Sousa Santos and considered inevitable by the people who occupied positions of authority in the Centre for Social Studies (CES) for many years. Our initial letter is attached below. Since we started to share our reflections, the number of people has increased. We have been in contact with other women who have experienced stories similar to ours. The abuse experienced is not limited to inconvenient moments promoted by a man incapable of understanding that the world has changed. It is very difficult to believe that a professional sociologist, internationally recognized as one of the greatest left-wing intellectuals, cannot understand the changes in society and adapt to them.
Mukanda
19.09.2023 | by várias
We address your Publisher as a collective of victims of harassment involving Boaventura de Sousa Santos and Bruno Sena Martins in the context of Boaventura de Sousa Santos' academic teams. Our collective is currently formed of seven women, of Brazilian, Portuguese, Peruvian and Mexican nationality. Our lived experiences allow us to confirm the abusive pattern described in chapter 12 of the book Sexual Misconduct in Academia: Informing an Ethics of Care in the University.
The publication of the book was decisive for our mobilization as a collective and for our decision to gather testimonial and documentary evidence that corroborate the various types of violence described in the mentioned chapter. In this sense, we note with great concern the unavailability for sale of the book.
Mukanda
19.09.2023 | by várias
The fact that BSS behaves like a feudal lord no longer surprises us in this “global south”. The same cannot be said of a publisher like Routledge, whose act of censorship does not honor its history (a history that began in 1836 and includes the publication of thinkers and scholars such as Adorno, Einstein, Russell, Popper, Wittgenstein, Jung, Bohm, Hayek, McLuhan, Marcuse, and Sartre). The irony, or hypocrisy, is that Taylor & Francis, the owner of Routledge, even ventures (and rightfully so!) to provide advice to its authors who are victims of harassment in academia...
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11.09.2023 | by João Pedro George
We demand that the editorial immediately republishes the entire book, article included.
We demand that the scholars put in the spotlight by the article cease all persecution of the researchers and the other victims that have come forward.
We demand that those scholars start walking the talk, and be consequent with their writings. This includes making themselves available for a real process of restorative justice.
We demand that academic institutions, including academic presses, seriously commission diverse and unbiased task forces to bring about reparations for the practices of abuse fostered by the racist, capitalist and patriarchal system of which they are part - in a historical and immediate sense.
We all know.
Mukanda
04.09.2023 | by várias
These brief notes focus mainly on possible steps towards the discussion about the decolonisation, or decolonisations, of botanical collections and practices at the University of Coimbra. They are not intended to delimit a unidirectional and hierarchical path of activities to be developed and are not a closed script for a decolonial rereading of the collections, which are a constant challenge, always presenting us with open questions and incomplete answers. My views and writings on this subject stem from a position of privilege as an academic working at the UC, which allows me the time, easier access to the collections under analysis and the freedom to appose narratives onto natural and cultural objects long disconnected from their contexts of origin; I am aware of my limitations in identifying additional perspectives and knowledges, which other voices will be able to bring to the open and ongoing debate.
To read
01.08.2023 | by António Carmo Gouveia
