Artemisa Ferreira
Articles tagged with Artemisa Ferreira
Tag Archive
- 25 april
- african studies
- Agricultura
- Alternative
- Ana Paula Tavares
- Andanças
- angola music
- archive
- artes performativas
- artists
- atlântico sul
- Backlands
- beer
- Berlin
- black heroes
- Bonga
- Caldo do Poeira
- Capeverdean
- Capitalismo
- cc
- Claire
- colonialism
- COVID-19
- cultural movement
- Descolonizing Decolonization
- diálogo
- Diego Rivera
- eduardo mondlane
- eleições
- Epistemodiversity
- escolha
- EUA
- Europa
- Flávia Gusmão
- FLÁVIO CARDOSO
- France
- games without borders
- gente de cor
- Grão-Pará
- Guiné Bissao
- Guiné Bissau
- heteronormative
- History
- humanism
- humor
- illegal
- indentity
- jean rouch
- João de Deus Lopes da Silva
- João Pedro George
- joao viana
- Joseph Gai Ramaka
- Leão Lopes
- LGBTI
- Lisbon Architecture Triennale
- Lost lover
- Lusophone films
- mare nostrum
- Meet
- menstruation
- Migration and Development
- mitos
- movie theaters
- mozambique
- mudança
- mulher
- multiligualism
- Museum Aljube
- myth
- nationalists
- Nito Alves
- north
- Noz de cola
- Nuno (Boaventura) Miranda
- patriarchy
- Pedro Coquenão
- Pedro José-Marcellino
- Pedro Pinho
- pele
- police
- Portugal
- Projeto Popular
- raça
- radio
- refugiados
- René Tavares
- Sana na N’Hada
- Senhor dos Milagres Escravo de Angola
- sexual harassment
- Slavery
- Sophiatou Kossoko
- South Facing
- Stone
- super mama djombo
- Ta-Nehisi Coates
- Teatro Praga
- The Mechanics of the Ephemeral
- Tribuna Negra
- walk
- welket bungué
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



