Leão Lopes
Articles tagged with Leão Lopes
Tag Archive
- (For)getting
- 25 de abril
- Activistas
- african culture
- African lands
- African photography
- afro-brazilian
- afro-portuguese
- anti-racism
- António Alonso
- Bonga
- British cinema
- Cacheu
- Cape Verdean
- collect the work of black artists
- colonialismo
- communities
- crioulo
- Cuca
- dance show
- dj lucky
- Djam Neguin
- documentarios
- Dulce Fernandes
- Epistemodiversity
- escravo
- ethnicity
- eurocentrism
- Europe
- Faustin Linyekula
- Felwine Sarr
- feminism
- Fernando Pessoa
- festivity
- Frantz Fanon
- Frelimo
- Fuck'ing Globo
- geração 80
- German filmmaker
- Globalization
- Grão-Pará
- Guiné Bissao
- Harlem Renaissance
- herero
- historicism
- immigrant
- integration
- Irene Renée Karanja
- justiça
- Kepha Oiro
- kilimanjaro
- língua portuguesa
- luanda
- Macau
- Maré
- Marielle
- marroco
- media
- Memorization
- Milita
- Moçâmedes
- Monuments
- morality police
- mozambique
- multiculturalism
- muriqui
- Museu é o mundo
- Neo-Colonization
- Nicholas Mirzoeff
- opinião
- panafricanismo
- Panorama
- Paulo Faria
- pintura
- police violence
- Portuguese Colonialism
- post-colonial contemporary art
- postcoloniality
- protests
- REVISTA JSF#2
- Samba
- Samira Vera-Cruz
- Sara Chaves
- senhor
- settlers
- Sociedades Africanas
- spaces of invention
- stereotypical images
- Super Camões Richard Zenith
- Teatro Griot
- Terra Batida
- terrorisme
- Third Half
- video
- Vitor belanciano
- voting
- winners
- Witchcraft
- works of art
- Yvone Kane
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



