Joseph Gai Ramaka
Articles tagged with Joseph Gai Ramaka
Tag Archive
- 2022
- Acarte
- african hair
- afropolitismo
- alimentation
- Alqueva
- Amazónia
- arab spring
- Artur Nunes
- Ateler Mutanba
- Basileia
- black film festival
- black people
- Boca Fala Tropa
- buala
- Cheryl Dunye
- Cinema Brasileiro
- Claire
- Coloniality
- comércio
- contemporary art
- controversy
- cooperação
- DAMARA INGLÊS
- departures
- Deus Dará
- environmental sustainability
- Ephemeral Landscapes
- escolha
- estudio
- Felix Shumba
- Felwine Sarr
- feminism
- General D
- gkjg
- Goa
- hangar
- historicism
- Ilha de Santiago
- illegal
- Índios
- joao viana
- José Saramago
- JSF #2
- korubo
- labor
- Language
- LGBTI
- língua
- luquebano afonso
- Mamadou Ba
- mental health
- meteorisation
- midterms
- migration
- militant cinema
- movements
- Museu afro-brasileiro
- não dá para ficar parado
- north-south division
- occupy Wall Street
- oppresed
- palestina
- patrice Lumumba
- Paul Gilroy
- Paulo Kapela
- pele
- pensamento
- Pipas Forjaz
- política
- port-au-prince
- post-coloniality
- project
- race
- Racismo
- radio
- Remittances
- REVISTA JSF#2
- Rita GT
- Routledge
- Royal Museum of Central Africa
- RUI MAGALHÃES
- Salazar
- SARS
- Spielart festival
- Steve McQueen
- stop racism
- storytelling
- suburb
- Suelny Rolnik
- Ta-Nehisi Coates
- Toy Boy
- urban africa
- video
- violencia
- Visual Cultura
- vodou
- Zimbabwe
- “home languages”
- “Sexual Misconduct in Academia”
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



