Capeverdean
Articles tagged with Capeverdean
Tag Archive
- (Carlos) Yuri Ceuninck
- African heritage
- african-descent
- afro cinema
- Afro-Caribbean
- Alberto Carneiro
- anti-colonial struggle
- arab spring
- artwork
- biblioteca
- black art
- Black Lives Matter
- Boca Fala Tropa
- caboverdiano
- Capitalismo
- cc
- Cheryl Dunye
- Cinema Brasileiro
- cinema indígena
- Claire Tancons
- Content Production
- coragem
- Cristo do Mundo
- dailylife
- decolonial studies
- democracia racial
- descolinizar museus
- design
- Deus Dará
- deverbatives
- Edson Chagas
- Ephemeral Landscapes
- europa oxalá
- expression
- Family Trip
- galeries
- gender
- History
- iwalewahaus
- Jean-Yves Loude
- Jimmie Durham
- journeys
- jungle
- justiça
- língua caboverdiana
- Londres
- lovers rock
- Luís Lopes de Sequeira; Angola; história colonial; nativismo; nacionalismo.
- Malcom X
- Marcelo Ridenti
- Maria Eugénia da Cruz
- Mayra Andrade
- mc k
- media
- Mella Center Lisboa
- Memories of the Poisoned River
- Memorization
- menstruation
- meteorisation
- mozambican artists
- multiculturalism
- Museu é o mundo
- Namibe
- Ngola Ritmos
- nicknames
- north
- Nova Lisboa
- pan African & arts festival
- patriarchy
- patrice Lumumba
- pensamento
- port-au-prince
- race
- Racismo
- radical music movement
- Routledge
- Royal Museum of Central Africa
- Sambizanga
- semba
- sex discrimination
- society
- solidarity
- south south
- Spielart festival
- stop racism
- story
- Super Camões Richard Zenith
- Swahili
- Tamara Dawit
- tanzania
- Teaching
- territory
- theory
- transatlantic
- transatlantic slave trade
- Western civilization
- William Kentridge
- works of art
- worldwide artists
- xx
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



