The New School for Social Research
Posts tagged with The New School for Social Research
Archive
Author
- administrador
- adrianabarbosa
- Alícia Gaspar
- arimildesoares
- camillediard
- candela
- catarinasanto
- claudiar
- cristinasalvador
- franciscabagulho
- guilhermecartaxo
- herminiobovino
- joanapereira
- joanapires
- keitamayanda
- luisestevao
- mariadias
- marialuz
- mariana
- marianapinho
- mariapicarra
- mariaprata
- martacacador
- martalanca
- martamestre
- nadinesiegert
- Nélida Brito
- NilzangelaSouza
- otavioraposo
- raul f. curvelo
- ritadamasio
- samirapereira
- Victor Hugo Lopes
Data
- September 2026
- August 2026
- July 2026
- June 2026
- May 2026
- April 2026
- March 2026
- February 2026
- January 2026
- December 2025
- November 2025
- October 2025
Tags
- a mulher rei
- Aida Gomes
- bioacústica
- chiara Bersani
- culturas
- Dilia Samarth
- Emma bigé
- Inauburação
- integration
- Johnny Pitts
- língua
- lisbon art weekend
- Louis Henderson
- mercados culturais
- mulheres de África
- oficina de rap
- the annotated field guide of ulysses s. grant
- The Parliament of Bodies
- tony allen
- universidade católica do porto
Most read
- FilmLab Moçambique
- FIC Luanda 2026 apresenta primeiros filmes da Competição Internacional e reforça ambição de Angola no circuito africano de cinema
- Novela gráfica «Caderno de Memórias Coloniais»
- Mário Lúcio de Sousa à conversa
- Intimate Distance, Uncaptured City, Edson Chagas
- ROOFTALK Conversa, Música e Artes
- ILUMINAÇÕES DA ALA OCIDENTAL DA RELAÇÃO DE LISBOA, de Sancho Silva
- O Cinema por Dentro, em Monsanto
- Contemporânea leva a Lisboa e ao Porto um programa de performances sobre memória resistência e transformação
- MEU SEMBA, de Hugo Salvaterra. hoje no Cinema Ideal
Ann Laura Stoler will discuss her recent edited volume Imperial Debris: On Ruins and Ruination (Duke University Press 2013). The book challenges us to turn away from the placid noun “ruin” and the nostalgias it engenders to “the ruin” as a violent, political verb. It is a book that seeks to disrupt facile distinctions between political history and poetic form, urging us to think differently about both the language we use to capture the tenacious hold of colonial effects and their tangible, if elusive, forms. At the center of this project are two sets of relationships: one, between colonial pasts and how we discern their form and content in postcolonial presents without assuming we know in advance what they are, and, two, the relationship between new “tactile” methodologies and a more acute conceptual vocabulary that is attentive to the occluded, unexpected sites in which earlier imperial formations have left their durable traces, and in which contemporary inequities are refurbished and secured through them.