independencies

In search of new African art in the 1960s. Sponsorship and training in the decade of euphoria - Ulli Beier, Pancho Guedes and Julian Beinart

In contrast to the context of Francophile Africa, where the main interest was in literary works and an idea of blackness that involved the relatively contentious appropriation of European modernity, certain mediators, located further south, questioned the possible evolution of local cultures and of their own major artistic traditions, free from the subordination of European models, which were viewed in a critical way in terms of the visual arts. Within the framework of the inevitable death of the tribal art which was characteristic of traditional societies (even via tourist reproductions), new and spontaneous forms of artistic production (and also sophisticated forms of syncretism in the case of "natural synthesis" proposed by Uche Okeke in the Zaria School) were being sought without any nativist essentialism (in the cases of Beier, Guedes and Beinart).

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17.12.2010 | by Alexandre Pomar

Tarifa African Film Festival

One part of the programm of the 7th Festival de Cine Africano de Tarifa, is called: "Utopia and Reality: 50 years of African Independencies?" Coinciding with the 50th anniversary of the Independence of 17 African countries, FCAT’10 offers a selection of African and non-African productions that explores, illustrates, questions and analyses this independence. There are films which talk about the life and ideas of figures like Aimé Césaire, Patrice Lumumba or Amilcar Cabral, or about the hope and dignity found after so many years of colonialism.