Julie Dash
Articles tagged with Julie Dash
Tag Archive
- (Re)Imagining African Independence
- activism
- activists
- agronomy
- Amadou Diallo
- An Outpost of Progress
- Ana Clara Guerra Marques
- angolan literature
- As Cidades e as Trocas
- audre lorde
- Bahia
- Basileia
- Berlin
- Brit Funk
- carbono
- casas
- Central African Museum at Teruvren
- César Schofield Cardoso
- civil rights
- colonialism
- Colorism
- conclusion
- contemporary art
- Danijoy Pontes
- David Goldblatt
- Desert Travel
- dia da consciência negra
- diversidade
- Doc's Kingdom
- economy
- édouard glissant
- estudio
- exílio
- fim
- fotografia
- Franco
- Fuck'ing Globo
- geographies
- guerra
- Guiné-Bissau
- Hélio Oiticica
- humanity
- insurreições
- interculturalidade
- interpretação do Brasil
- Johanesburg
- Keita mori
- Lee-Ann Olwage
- língua
- língua caboverdiana
- linguística
- Lisboa
- Lisboa e Paraíso
- London
- macron
- Maputo Fortress
- Marcus Garvey
- Marielle
- memórias
- meteorisation
- Mickey Fonseca
- music industry
- myth
- nationalists
- New Orleans
- ocupações temporárias
- One World in Relation
- Orlando Pantera
- Paisagens Efémeras
- Paulina Chiziane
- Paulo Faria
- percepção
- polémica
- Portuguese Colonialism
- power asymmetries
- production
- Rabbit Hole
- racism
- reserva
- Ruy Duarte de Carvalho
- safari
- sculpture
- sequence
- Sertões
- Sociedades Africanas
- solidarity network
- stage
- Teatro Praga
- Territories
- therapeutic practices
- toponímia
- transnational
- turismo
- ultramar
- Urbanization in Africa
- violencia
- water
- woman
- xxxx
- Zimbabwe
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



