Pancho Guedes

Revisiting the years when Pancho Guedes lived in Mozambique: The arts and the artists

Pancho Guedes (born in 1925), architect, painter, sculptor, collector and patron, played an important cultural role during the years he lived in Mozambique. This is true because of his own work, which brought together several worlds, as well as for his role as mediator between artists of all traditions, the wider public (local and international), and the institutional artistic world, which he had access to at the time.

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20.01.2011 | by Alda Costa

In search of new African art in the 1960s. Sponsorship and training in the decade of euphoria - Ulli Beier, Pancho Guedes and Julian Beinart

In contrast to the context of Francophile Africa, where the main interest was in literary works and an idea of blackness that involved the relatively contentious appropriation of European modernity, certain mediators, located further south, questioned the possible evolution of local cultures and of their own major artistic traditions, free from the subordination of European models, which were viewed in a critical way in terms of the visual arts. Within the framework of the inevitable death of the tribal art which was characteristic of traditional societies (even via tourist reproductions), new and spontaneous forms of artistic production (and also sophisticated forms of syncretism in the case of "natural synthesis" proposed by Uche Okeke in the Zaria School) were being sought without any nativist essentialism (in the cases of Beier, Guedes and Beinart).