Claire Andrade-Watkins
Articles tagged with Claire Andrade-Watkins
Tag Archive
- 99% Invisible City
- africa. portugal
- African Contemporary Art
- Ana Bigotte Vieira
- Ana Paula Tavares
- angolan identity
- António Pinto Ribeiro
- archive
- art gallery
- Artemisa Ferreira
- benguela
- black
- Cidade do Cabo
- communality
- composer
- controversy
- conversas
- cosmopolitanism
- COVID-19
- culture
- cultures
- decolonising
- Diário de um etnólogo guineense na Europa
- Dictatorship
- documenta fifteen
- documentarios
- Douala
- Egypt
- Flora
- fotografia
- Frontiers
- funeral
- game
- games without borders
- gender
- genocide
- geological phenomena
- George Floyd
- Giovani Lourenço
- Guinea-Bissau
- Hannah Arendt
- história
- History
- independence
- Irene Renée Karanja
- Jean-Michel Basquiat
- journey
- justiça social
- labels
- labor
- lugar de fala
- Malcom X
- Margarida Cardoso
- Mário Macilau
- Modernity
- movie theaters
- movies
- multiculturalism
- multiligualism
- myth
- naming practices
- Neocolonialism
- olive
- opression
- Orlando Pantera
- PAIGC
- Panorama
- paraíso
- Pé de Xumbo
- pensamento
- Polícia
- Portraits
- post-colonial contemporary art
- protests
- Rabbit Hole
- raça
- racist
- radical music movement
- Regina Guimarães
- representações
- resentment
- resistência
- Saara
- Sarah Maldoror
- satire
- senhor
- South Africa
- stage
- study of memory
- sun
- surrealism
- Swahili
- Tales of Oblivion
- The Party of the Dead
- undefined
- Ursula K. Le Guin
- viagens científicas
- Western civilization
- work
- xxx
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



