departures
Articles tagged with departures
Tag Archive
- 25 de abril
- 27 de Maio de 1977
- 99% Invisible City
- África do Sul
- african screens
- Afropolitanism
- Alexandra Lucas Coelho
- América
- angolanidade
- apartheid
- architecture
- Archives
- Artur Nunes
- artwork
- Bab Cepta
- black artists
- black feminism
- branqueamento
- Brasil
- brazilian film
- Brit Funk
- Cape Verde
- Carlos Nô
- carnivalesque protests
- Chiquita Brands
- Chris Marker
- ciberespaço
- colonial
- colonialismo
- cultura
- dailylife
- David Livingstone
- dd
- decolonising
- Denise Fernandes
- descolonization
- développement
- direitos humanos
- Djam Neguin
- Dombe Grande
- drawing
- e a Raquel da Silva. Menciono também de passagem: Homi Bhabha
- economia
- ethnicity pay gap
- european
- Felix Shumba
- Filipe Mukenga
- fronteiras
- Fuck'ing Globo
- genocide
- Ícaro Lira
- imigration
- informal city
- instalation
- intellectual extractivism
- interculturalit
- Joëlle Sambi
- Johanesburg
- JSF#2
- labourers
- Lisbon Architecture Triennale
- literatura brasileira
- Looking After Freedom?
- lugar de fala
- lusofonia
- Mahla Filmes
- Marcus Garvey
- marroco
- memórias
- música popular
- mythology
- Negros
- Neocolonialism
- New Encyclopedia of Africa
- palestina
- Pé de Xumbo
- pintura
- Pipas Forjaz
- poland
- police brutaliy
- political agendas
- practices of resistance
- project
- Remittances
- rijksmuseum
- Rita GT
- Saara
- Self-ownership
- senhor
- Sines
- Slavery
- sociolinguistic milieu
- SOFIA YALA
- Tamoda the Master
- Tropicália
- Uma Biografia”
- URSS
- Visuality
- WE WANT NO FUCKING ONE FOR FRESIDENT
- Western civilization
 Angolans have made themselves in- and outside Angola, in conversation with the world. In the departures and arrivals, they carry with them the intangible and immaterial: intuition, faith, dance, and the sad and deep look of permanent uncertainty. But they also take with them the smile of resistance that can hide sadness and misfortunes. Perhaps at arrivals and departures there isn’t much to say. Perhaps all that is needed is to listen in silence and with a hug. A hug that knows how to listen.
				Angolans have made themselves in- and outside Angola, in conversation with the world. In the departures and arrivals, they carry with them the intangible and immaterial: intuition, faith, dance, and the sad and deep look of permanent uncertainty. But they also take with them the smile of resistance that can hide sadness and misfortunes. Perhaps at arrivals and departures there isn’t much to say. Perhaps all that is needed is to listen in silence and with a hug. A hug that knows how to listen.		



