The Mechanics of the Ephemeral

The Mechanics of the Ephemeral “The Mechanics of the Ephemeral” stems from the idea that art as a mechanism allows us to travel to different temporal spaces by adopting an approach that often resorts to fantasy, but in which the imagination becomes an important ally in historical and socio-political questioning. Although the discourses of the invited artists vary in their approaches and navigation of this temporal and identity- forming flow, the common denominator is their relationship with a continent inhabited by the dreams and follies of foreign ghosts. There is also an urgent need to address a future still based on meaningless promises of progress and freedom – a situation which is not exclusive to the African continent – to equally embrace the influences of the various artistic languages and references that comprise this joint work and overflow national borders and continental platforms.

I'll visit

21.12.2021 | by Gisela Casimiro

How Portugal silenced ‘centuries of violence and trauma’

How Portugal silenced ‘centuries of violence and trauma’ References to Portugal’s epic, seafaring past like these litter this city – there is even a Vasco da Gama shopping mall. But until now, there has never been a single explicit reference, memorial or monument in Portugal’s public space to its pioneering role in the transatlantic slave trade, nor any acknowledgement of the millions of lives that were stolen between the 15th and 19th centuries.

Games Without Borders

15.03.2021 | by Ana Naomi de Sousa

Kiluanji Kia Henda to me

Kiluanji Kia Henda to me Interview carried out by online chat, at various times and on various days, punctuated by continual breaks in the Internet connection that maps out the transatlantic and ex-colonial triangulation between Luanda, Angola – Kiluanji Kia Henda’s home, a city that I have never visited; São Paulo, Brazil – my temporary home and the place where I first met Kiluanji, a place that is close to the origin of the series presented here; Lisbon, Portugal – my permanent home, source of the schedule drawn up by my computer and Kiluanji’s ex-temporary home.

Face to face

08.04.2011 | by Lígia Afonso

Kiluanji Kia Henda’s rampancy – from the Triennial of Guangzhou to Experimenta Design: two projects

Kiluanji Kia Henda’s rampancy – from the Triennial of Guangzhou to Experimenta Design: two projects Kiluanji Kia Henda has displayed his art internationally – from Guangzhou to Cape Town, from Nairobi to Venice – which decouples his work from the exclusive legitimacy granted by Western contemporary art capitals. Another unique trait of his trajectory is that so far, his work has not been presented and sanctioned by the “small” world of its former “metropole”, Lisbon. As an Angolan artist, and therefore, from an independent country today and once a Portuguese colony, his art world’s has been extraneous to a set of cultural policies that take Portuguese-as-connection, and which rely on a closed circuit showcasing of art and its artists, traveling between ex-colonies and the ex-metropole.

Face to face

12.04.2010 | by Marta Mestre