litterature

Luanda, Lisboa, Paradise?

What is at stake in Djaimilia Pereira de Almeida’s book are the living, human ruins of empire. No longer based on the figure of the veteran or the returnee, but on someone from the other side of the line colonialism traced: a black man and, in this case, the complex figure that colonialism generated, the assimilated African who, here, for the first time in Portuguese literature, is at the centre of the narrative.

To read

26.12.2019 | by Margarida Calafate Ribeiro

Us, them, why? (by way of Paulo Faria)

‘The Missing Face’ is a powerful reflection on the war, and above all on the ownership of traumatic experiences of conflict, specifically at the end of Portuguese colonialism in Africa.

To read

12.11.2019 | by Felipe Cammaert

The angels of God are white to this day, interview with Paulina Chiziane

Paulina Chiziane (Majacaze, 1955) is surely one of the most prominent figures of current Mozambican literature, and not just that. She is an essential reference for the country’s feminist movements, a woman who confronted particularly conflictual aspects of African cultures in her literary works with startling intensity, developing themes that no one else wants to hear or discuss, not in the private sphere, much less in the public or political spheres. These are silenced themes, taboos, especially painful, pending and unresolved subjects, such as the Mozambican civil war, women’s rights in polygamy and black magic.

Face to face

25.02.2019 | by Doris Wieser

The city made him indecisive and gloomy

Their story becomes the usual story of many immigrants coming from the old colonies in search of medical treatment or of a better life. In Angola, Cartola was a midwife. In Lisbon, he became a construction janitor, and the city made him indecisive and gloomy. Aquiles, who was still a teenager when he switched country, no longer felt Angolan.