Plantation Europe: Summer School

Sponsored by The Colour of Labour (ERC AdG 695573) Instituto de Ciências Sociais, Universidade de Lisboa

Convener: Cristiana Bastos, PI, The Colour of Labour

Partners: Associação Terra Batida, Associação Batoto Yetu Portugal, Buala

Logistics: Mari Lo Bosco, adm. The Colour of Labour



10h00 Opening Session Batoto Yetu, Terra Batida and The Colour of Labour

10h30 Plantation, labor, racializations: an historical and anthropological overview Cristiana Bastos, ICS – ULisboa, The Colour of Labour

11h00 Coffee break

11h30 African enslaved labor and Asian indentured labor: a view from Guyana and the Caribbean Marcelo Moura Mello, UFBA, The Colour of Labour

12h00 The persistence of the plantation: food circuits and migrant labor Seth Holmes, U Berkeley, The Colour of Labour, FoodCircuits

12h30 Lunch Break

14h00 Plantations and cropscapes: the case of rice Tiago Saraiva, Drexel U, The Colour of Labour 14h30 African knowledge and rice cultivation in the Sado region Pedro Varela, CES, U Coimbra Ricardo Ventura, CLEPUL / CEG-UAb

15h00 Break

15h30 The memory of malaria in the rice fields of Alcácer Moónica Saavedra, CRIA – U Coimbra

16h00 The precarious lives of rice workers in Alcácer-Comporta Pedro Prista, CRIA – ISCTE


Guided field trip to the Sado region, Alcácer, Comporta, rice estates, and landmarks of African memory


9h30 Guidelines for the final report Convener and enrolled students

10h00 Alentejo: An historical-anthropological approach to latifundia, class stratification and change in the Alto Alentejo José Sobral, ICS - ULisboa

10h45 Coffee Break

11h00 Raiva (Sérgio Tréfaut POR/FRA/BRA, 2018, 84 min) Film screening followed by debate

13h00 Lunch Break

14h30 Olives, almonds and water: current trends of unsustainability Pedro Prista, CRIA – ISCTE

15h00 Migrants in the greenhouses: Odemira and the global circuits of capital and labor Catarina Barata, DANT – ICS - ULisboa, Associação Terra Batida Kishor Subba Limbu, DANT- ICS - ULisboa, The Colour of Labour

15h30 Coffee break

16h00 Art and Activism in the Pantationoscene Oil Dourado (Andre Paxiuta) Superintensivo (Marta Lança) Eu nasci aqui, eu sou de cá (Fernando Antunes Amaral) Songs From Another Eden (Sohel Rahman John)


Guided field trip to the Alentejo, visit to iconic estates and current landscape transformations, Montemor, Évora, Monsaraz, Alqueva


10h00 Reports from the field visits Students break into groups and produce reports on the field visits; collective discussion on the reports

12h30 Lunch break

14h00 The winescapes of Douro and the making of Port as a commodity José Sobral, ICS - ULisboa Marta Macedo, ICS - ULisboa, The Colour of Labour

15h00 The plantationoscene: an overview Tiago Saraiva, U Drexel, The Colour of Labour Marta Macedo, ICS - ULisboa, The Colour of Labour

15h30 Final discussion

All participants

Optional field trips:

FRIDAY JULY 1: departure for Porto for overnight (self-pay); alternative: departure for Odemira (self-pay)

SATURDAY JULY 2: guided field visit to Porto and Douro – optional, self-pay

26.05.2022 | by Alícia Gaspar | Anthropology, associação batoto yetu portugal, associação terra batida, history, labor, plantation, plantation europe, summer school, the colour of labour

SLAVERY — Ten true stories

Rijksmuseum, the national museum of arts and history of the Netherlands, will stage its first ever major exhibition dedicated to the subject of slavery this spring. Slavery is inextricably bound up with Dutch history. It is the first time stories of slave trade across the Atlantic and the Indian Oceans are told together in one exhibition in the Netherlands.

The Slavery exhibition presents ten true stories. Ten personal stories about enslaved people and slave owners, people who resisted, and people who were brought to the Netherlands in slavery. What were their lives like? What was their attitude to the system of slavery? Were they able to make their own decisions?

Slavery exhibition, Photo RijksmuseumSlavery exhibition, Photo Rijksmuseum

The exhibition will include objects from national and international museums, archives and private collections like the Nationaal Museum voor Wereldculturen, British Museum, National Gallery of Denmark, Iziko Museums of South Africa, St Eustatius Historical Foundation, National Archeological Antropological Memory Management (NAAM) in Curaçao, the National Archives of South Africa, Indonesia and the Netherlands and private collections in Sint Eustatius, Suriname, the Netherlands.

Valika Smeulders, head of History Rijksmuseum: By focusing on ten true personal stories, ‘Slavery’ gives an insight into how individuals dealt with legalized injustice.

Taco Dibbits, General Director Rijksmuseum: The Rijksmuseum is the national museum of art and history. Slavery is an integral part of our history. By delving into it, we can form a more complete picture of our history and a better understanding of today’s society.

Ten true stories

During the 250-year colonial period, people were made into property and objects to be recorded in accounts. The exhibition highlights the lives of ten people who lived at the time. They each tell their own story: about living in slavery or taking advantage of it, about resistance and – ultimately – freedom. 
They include enslaved people and slaveholders, as well as individuals who broke the shackles of slavery, an African servant in the Netherlands, and an Amsterdam sugar industrialist. An audio tour leads visitors through these widely differing lives. Among the narrators are Joy Delima, Remy Bonjasky and Anastacia Larmonie, who each have a connection with one of the ten people through their own background.

The exhibition includes objects, paintings and unique archival documents, and visitors will hear oral sources, poems and music. To tell a more complete story, there will be exhibits that have never been shown in the Rijksmuseum before, such as objects that were cherished by people in slavery, and tools that were used on plantations.

Once visitors have seen the exhibition, artists David Bade and Tirzo Martha from Instituto Buena Bista in Curaçao invites visitors to process their impressions in new, own artworks, entitled Look at me now.

Tronco (Multiple Foot Stocks) for the constraining enslaved people, c. 1600–1800. Rijksmuseum, gift from Mr J.W. de Keijzer, GoudaTronco (Multiple Foot Stocks) for the constraining enslaved people, c. 1600–1800. Rijksmuseum, gift from Mr J.W. de Keijzer, Gouda 

The Dutch colonial period on four continents

The exhibition spans the Dutch colonial period from the 17th to the 19th century. It features the trans-Atlantic slavery in Suriname, Brazil and the Caribbean, and the part played by the Dutch West India Company (WIC); and Dutch colonial slavery in South Africa and Asia, where the Dutch East India Company (VOC) operated. The effects of the system in the Netherlands during the period are also highlighted. As a whole it offers a geographically broad and at the same time specifically Dutch view which has never been seen before in a national museum.

Look at me now

The stories in the exhibition – about João, Wally, Oopjen, Paulus, Dirk, Lokhay, Van Bengalen, Surapati, Sapali and Tula – stand for millions of other stories about the slavery past of the Netherlands, and its continued effects. At the end of the exhibition, the artists David Bade (Curacao, 1970) and Tirzo Martha (Curacao, 1965), both from Curacao’s Instituto Buena Bista, invite visitors to give expression to their own stories through the ten new artworks making up the Look at Me Now project. 
Visitors can follow the progress of this project via the website.


The exhibition and accompanying events and activities are the result of collaboration with a wide variety of external experts, including historians, heritage experts, cultural entrepreneurs, artists, theatre practitioners and performers.

Narrative advisor
Jörgen Tjon A Fong

Think tank 
Reggie Baay, Raul Balai, Aspha Bijnaar, Mitchell Esajas, Karwan Fatah-Black, Martine Gosselink, Dienke Hondius, Wayne Modest, Ellen Neslo, Matthias van Rossum, Maurice San A Jong, Alex van Stipriaan, Jennifer Tosch, Urwin Vyent, Simone Zeefuik and Suze Zijlstra

Online exhibition

The Rijksmuseum is also presenting the ten stories in an online exhibition that features video and audio clips, animations, an overview of the exhibition galleries, and objects that can be viewed in exceptional detail. Visitors to the website will be able to see the Slavery exhibition in ten episodes, whenever and wherever it suits them.

Rijksmuseum & Slavery

For the coming year, more than 70 objects in the permanent collection will have a second museum label that explores and highlights what has been, until now, an invisible relationship between the object and slavery. Subjects covered range from former rulers to the presence of people of colour and the way they are portrayed. &Slavery is taking place concurrentlxy with the Slavery exhibition, but it is not part of the exhibition. 

Audio tour

The audio tour is an integral part of the exhibition and is offered free of charge. There is a special interactive audio tour for children.

Accompanying book

The Rijksmuseum and Atlas Contact Publishers are jointly publishing Slavery, a richly illustrated book describing the lives of ten people who were part of the Dutch colonial history of enslavement. Authors: Eveline Sint Nicolaas, Valika Smeulders et al. Available in the Rijksmuseum shop and in bookshops.

Exhibition design

The exhibition design is by AFARAI, the agency led by architect Afaina de Jong.
The graphic design of the exhibition and the book are by Irma Boom Office.


The Rijksmuseum partnered with the National Library of the Netherlands and the National Archive of the Netherlands to present an English-language online symposium on 23 April 2021, focusing on what it means to increase inclusivity in source usage by museums, archives and libraries. What sources are available to people making presentations and conducting research on the subjects of slavery and the slave trade? Click here to view the symposium.


The Slavery exhibition is made possible in part by the Mondriaan Fund, Blockbuster Fund, Fonds 21, DutchCulture, Democracy & Media Foundation, Stichting Thurkowfonds, ThiemeMeulenhoff, Boomerang Agency and via the Rijksmuseum Fonds: Scato Gockinga Fonds, Fonds de Zuidroute, Zusjes Nieuwbeerta Fonds, Fonds Dirk Jan van Orden, Henry M. Holterman Fonds and Bestuursfonds Hollandse Meesters.

22.05.2021 | by Alícia Gaspar | colonial period, dutch slavery, exhibition, history, slavery

A new biography of one of Africa’s seminal anti-colonial thinkers and activists

On 20 January 1973, the Bissau-Guinean revolutionary Amílcar Cabral was killed by militants from his own party.

Despite Cabral’s assassination, Portuguese Guinea became the independent Republic of Guinea-Bissau. The guerrilla war that Cabral had started and led precipitated a chain of events that would lead to the 1974 Carnation Revolution in Lisbon, toppling the forty-year-old authoritarian regime. This paved the way for the rest of Portugal’s African colonies to achieve independence.

Written by a native of Angola, Amílcar Cabral: The Life of a Reluctant Nationalist narrates Cabral’s revolutionary trajectory, from his early life in Portuguese Guinea to his death at the hands of his own men. Using recently opened state security police archives, the book details his quest for national sovereignty, beleaguered by the ethnic-based identity conflicts the national liberation movement struggled to overcome. Through the life of Cabral, António Tomás critically reflects on existing ways of thinking and writing about the independence of Lusophone Africa. 

António Tomás is Associate Professor in the Graduate School of Architecture at the University of Johannesburg. He holds a PhD in Anthropology from Columbia University, in New York. He has worked as a journalist in Angola and Portugal and has written extensively on issues related to Lusophone Africa.

20.04.2021 | by Alícia Gaspar | activist, Africa, Amílcar Cabral, anticolonialism, history

"BEFORE, BEFORE & NOW, NOW", photography exibition

TAFETA is pleased to present the collective photo exhibition BEFORE, BEFORE & NOW, NOW that opens on the 19th of March at 4pm at MIRA FORUM in Porto, Portugal.

This photography exhibition, firstly shown in 2014 at Bohams in London, celebrates the Nigerian history through photographers that have documented and reflected on its peoples, events and transformation into the country that we know it as today. Nigeria, as a nation state emerged from a diversity of preceding kingdoms, emirates, chieftaincies and other communities via an interlude of colonization by the British. This exhibition contrasts artworks by contemporary Nigerian photographers with a selection of works by their Nigerian predecessors (by descent or permanent settlement) produced at significant periods in Nigeria’s formation.

N.W.Holm - ‘Souvenir of lives that remind Lagos Past'The exhibition invites the viewer to consider the “before” and the “now” – the similarities and differences in technology, in events, individuals and landscapes, and in the particular ways of seeing as each photographer constructs an imagery about their land. These photographers offer diverse and original visions of Nigeria and the rest of the world. Their images are the product, or rather distillation, of specifically Nigerian sensibilities shaped by the cultural, social and ecological experiences of living in the country. They articulate the “now” of Nigeria with its energy and dynamism and its contrasts of individuals, communities and landscapes. At the same time they look to the future with its new possibilities in an ever more inter-connected world. The other end of the spectrum is the “before”, whether in the years leading up to Nigeria’s formation or at independence when the right to self-determination was finally wrested from the departing British.

Participant Photographers: Adeola Olagunju, Adolphus Opara, Aisha Augie-Kuta, Akintunde Akinleye, Amaize Ojeikere, Andrew Esiebo, Emeka Okereke, George Osodi, J.D. Okhai Ojeikere, Jide Alakij, Uche Okpha Iroha, Alfred Carew, Fosa Studios, J.A. Green, J.B. Abibmbola, N.W.Holm, Obafemi Luther, Olojo Studios and Sanya Freeman.

MIRA FORUM is an art gallery that fundamentally linked with photography and its relationship with other arts and knowledge. It is an interdisciplinary place that combines a social and a commercial facet, and it is considered a cultural art center due to the range of programs that it offers. Some of these include: individual and collective exhibitions, conferences, theater plays, workshops, concerts and dance performances. MIRA FORUM also emphasizes projects that involve local communities. Artistic residencies are also an important component in the intervention of Espaço MIRA and MIRA FORUM. Since October 2013, the gallery presented more than 30 exhibitions, 14 concerts, 10 workshops and 8 art residencies.





Exhibition Opening 19 March > 4-7pm

19 March – 27 April 2016

Opening times: Tuesday/Saturday 3pm-7pm


Rua de Miraflor 155,

4300-334, Porto, Portugal (+351) 929145191/ 929113431


Contact and details about the exhibition: | +351 918224949

13.03.2016 | by claudiar | history, Nigeria, Photography