Gathering(s) Gendering Decolonizations: Ways of Seeing and Knowing

Gathering(s) Gendering Decolonizations: Ways of Seeing and Knowing       No history of decolonization or of decolonizing praxes is ever completed without attention to gender. How did women view the liberation struggles in the former Portuguese colonies? How were their ways of seeing integrated or not in the imagination of colonialism? Was there a specific gaze to women over the liberation struggles? What knowledge and awareness do we have of/about these ways of seeing? And how do these ways of seeing intersect with those of contemporary filmmakers, artists, curators and academics who are now questioning public and private archives, are visually recreating their memories or re-imagining colonialism? What role academic research, archive conservation policies, programming and curatorship have in questioning or prolonging (official) “politics of memory”?

Afroscreen

22.05.2021 | by Ana Cristina Pereira, Inês Beleza Barreiros and Maria do Carmo Piçarra

Decolonization in, of and through the archival “moving images” of artistic practice

Decolonization in, of and through the archival “moving images” of artistic practice This essay investigates the ways in which contemporary artistic practices have been working towards an epistemic and ethico-political decolonization of the present by means of critical examinations of several sorts of colonial archives, whether public or private, familial or anonymous. Through the lens of specific artworks by the artists Ângela Ferreira, Kiluanji Kia Henda, Délio Jasse, Daniel Barroca and Raquel Schefer, this essay examines the extent to which the aesthetics of these video, photographic and sculptural practices puts forth a politics and ethics of history and memory relevant to thinking critically about the colonial amnesias and imperial nostalgias which still pervade a post-colonial condition marked by neo-colonial patterns of globalization and by uneasy relationships with diasporic and migrant communities.

Games Without Borders

06.12.2020 | by Ana Balona de Oliveira

Restituting artworks: a decisive step in the process of decolonization

Restituting artworks: a decisive step in the process of decolonization Three options emerged for the museum’s “reorganization”. First, there was the possibility of clearing the museum’s contents and reopening as an empty museum. Second, there was the option of destroying the museum and building a new one. The third tabled choice was to come up with a reinvented museology that would engage with the museum’s history to present a critical view of colonialism.

To read

23.12.2018 | by António Pinto Ribeiro and Margarida Calafate Ribeiro

Liberty / Diaspora a universal chronology of the history of decolonization

Liberty / Diaspora a universal chronology of the history of decolonization The societies in which we live at different latitudes are legacies of colonialism and constituted by imperial ruins. Depending on our skin colour, social class, academic background and where we live, we can inherit privilege – by benefitting directly or indirectly from the wealth European exploration accumulated – or we can inherit, even accumulate, the oppression of institutional racism and be exposed to inequality and racist colonial violence.

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04.11.2018 | by Bruno Sena Martins