post-colonial contemporary art

Panoramic in Moving Fragments, or Mónica de Miranda’s Twin Visions of (Un)Belonging

Miranda’s work is deeply marked by family memories and experiences and, more broadly, by the collective histories of Portugal and Angola. In Panorama, her focus on the psychic and physical remnants of several pasts – colonial, post-independence, post-Cold War, post-civil war – within natural, urban and architectural landscapes of Luanda and beyond serves the larger purpose of examining the contradictions of the present and imagining alternative futures.

I'll visit

05.07.2017 | by Ana Balona de Oliveira

"Third Half": New Horizons – African contemporary art and postcolonial politics

ost-independence Africa is a space of ambivalence, where the aspirations of her people are, ever so often, opposed by her own leaders and by influences from the outside. Her wealth is largely crippled by the West’s use of financial control to make the continents resources available to its own ends. And in recent years, China’s rapidly intensifying economic influence in Africa has become yet another reminder of a new global actor that feeds on globalization and the resultant economic and political expansion, and who has not shied away from reaching out its tentacles to areas troubled by conflict and weak governance. In this conflicting terrain, we must carry with us the words of Walter Benjamin: “The tradition of the oppressed teaches us that the “state of emergency” in which we live is not an exception but a rule.”