Lólo Arziki
Articles tagged with Lólo Arziki
Tag Archive
- #NovaOndaCaboVerde
- 2022
- Abderrahmane Sissako
- Afrolis
- An Outpost of Progress
- angolan cinema
- antiracism
- Architecture Biennial
- ariella aisha azoulay
- art gallery
- As Cidades e as Trocas
- Atlas da Solidão
- Backlands
- black power
- Boaventura Sousa Santos
- Bonga
- cinema
- Claire Tancons
- Coleira
- colonial memory
- community
- Conceição Evaristo
- conclusão
- Cova da Moura
- COVID-19
- crioulo
- crise
- Dambudzo Marechera
- David Adjaye
- decolonial
- denilson baniwa
- descolinizar museus
- Descolonizing Decolonization
- Diário de um etnólogo guineense na Europa
- Dictatorship
- dj lucky
- Dominique Zinkpé
- Ephemeral Landscapes
- equal rights
- estudio
- EUA
- exílio
- Family Trip
- Festival of Essaouira Gnaoua
- Fiction
- Frantz Fanon
- galeries
- Guinea Bissau
- gulbenkian
- Hanami
- hangar
- humanity
- illegal
- israel
- José Cabral
- kim praise
- LGBTI
- literatura caboverdiana
- Londres
- Luandaino Vieira
- Luís Lopes de Sequeira; Angola; história colonial; nativismo; nacionalismo.
- lusophone
- lusotropicalism
- material heritage
- Mickey Fonseca
- mitos
- moçambique
- multiligualism
- museums
- Neo-Animism
- Neocolonialism
- Nigeria
- north-south division
- Nuno Crespo
- Pedro Pinho
- pensamento
- photographic heritage
- plantation
- police
- post-coloniality
- Prémio Camões
- programation
- project
- reeducation camps
- representações de áfrica
- revolução
- revolution
- Sexual Misconduct in Academia
- sondagens
- South Africa
- stage
- Steve McQueen
- Tambla Almeida
- Tchitundo-hulo
- transmission
- Visuality
- Vital Matter
- xx
- Yvone Kane
- Zimbabwe
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



