Fifty Years Later, The Caged Bird Still Sings

Fifty Years Later, The Caged Bird Still Sings My own difficult experience teaching literature bears this out. Students’ response to every African story is that “the white man stole our culture, we are ashamed of our identity and need to return to our cultures”. But even as they limit colonialism to an exclusively cultural enterprise, they are not able to connect with stories of the past to which they say we should return to.

To read

22.12.2020 | by Wandia Njoya

Dialogues on Contemporary Dance, interview with Kepha Oiro

Dialogues on Contemporary Dance,	interview with Kepha Oiro Kepha Oiro is a contemporary dancer and choreographer from Nairobi – Kenya. He's the artistic director of a new contemporary performing group: Tuchangamke, which conducts research into movement fusion in ethnic African communities, based at the Kenya National Theatre, Nairobi, and is the artistic director of the Dance Marathon initiative. This encounter with Nadine Siegert took place in Cologne (Germany) during an artist residency until March 2010.


14.06.2010 | by Nadine Siegert

Body and Soul - Ingrid Mwangi

Body and Soul - Ingrid Mwangi Subjects like discrimination – by skin color, social position or gender- all found an important place in Ingrid’s work. Gradually she has been focusing on conflict issues and the reasons why we live in violence. In addition to her interest in subjects like the war and the media she is also very interested in the role of women, their strength and their projection in the world. Regarding that she stats “we can’t run away from our body. At the beginning it was not an easy thing to do but I acquired consciousness that my black woman’s body is, by itself, a statement. Then I started to work on this matter”.

Face to face

22.05.2010 | by Joana Simões Piedade