Turia El Glaoui
Articles tagged with Turia El Glaoui
Tag Archive
- 27 de Maio de 1977
- african art
- afro-brazilian
- agricultural work
- Alexandra Lucas Coelho
- annett stenzel
- antiracism
- Artes africanas
- artivism
- As Cidades e as Trocas
- atafona
- audre lorde
- autonomy
- Benoît Fossouo
- Berlin
- Bienal de S.Paulo
- body
- Capeverdean
- capitalism
- CES
- ChoraRita
- cinema africano
- Claire
- Colômbia
- crioulo
- crise
- cultura visual
- culture programme
- decolonisation
- Délio Jasse
- Diáspora
- drawings
- Ephemeral Landscapes
- ery claver
- esse cabelo
- favela
- femini
- feminism
- fim
- gender equality
- Geo-archaeological research
- geometry
- German filmmaker
- Goa
- history of Africa
- independence
- Jihan el Tahri
- Joëlle Sambi
- Kiluanji Kia Henda
- kriolu
- landscape
- Learning to live with the enemy
- letters from angola
- lucio lara
- macron
- maputo
- Mella Center Lisboa
- memórias
- memories
- Mindelo
- movements
- música popular
- não dança?
- nature
- Negritude
- Nigeria
- Nuno Crespo
- patriarchy
- Pedro Pinho
- Periferia
- poesía
- postcolonialism
- Postmemory
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- próximo futuro
- queer
- reserva
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- rock art
- Routledge
- Sado
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- SOS Racismo
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- Tahir Square
- tchiloli
- Teaching
- teatro
- Terceira Metade
- theo gould
- toponímia
- utopia
- walk
- water
- women rights
- xhibition of the Portuguese World
- Zululuzu
- “(Re)membering
- “Libertação. Unidade e Luta”
 Our original strategy was always to bring African artists to the international stage, which I think is what is missing, and maybe one day we would be very happy to go but I think there are many other places where we can go, which we are trying to do already, for example, workshops for galleries, for artists. I think there’s much more on the educational side of things that we can bring with our knowledge to the continent than having a commercial initiative about sales.
				Our original strategy was always to bring African artists to the international stage, which I think is what is missing, and maybe one day we would be very happy to go but I think there are many other places where we can go, which we are trying to do already, for example, workshops for galleries, for artists. I think there’s much more on the educational side of things that we can bring with our knowledge to the continent than having a commercial initiative about sales. 		



