Falcão Nhaga
Articles tagged with Falcão Nhaga
Tag Archive
- african art
- arquivo
- Ateler Mutanba
- Atlas da Solidão
- Bab Cepta
- Benoît Fossouo
- black artists
- black film festival
- BLM
- Capeverdean
- Carlos Correia
- Charlie Hebdo
- chinese
- Coimbra Biennial of Contemporary Art
- Coleira
- colonialismo
- community
- Content Production
- creolo
- cultural memory
- culture programme
- dança
- decolonial studies
- democracia
- democracy
- Descolonizing Decolonization
- desert
- Deus Dará
- Djaimila Pereira de Almeida
- drawing literature
- elections
- Ephemeral Landscapes
- estudio
- european
- femini
- fim
- Fim do Mundo
- Freud
- Fuck'ing Globo
- future
- geographies
- Haile Gerima
- História dos Descobrimentos e da Expansão
- inclusão
- insularity
- iwalewahaus
- Jacques Rancière
- José Cabral
- jungle
- Lee-Ann Olwage
- lucio lara
- lusophony
- Mahla Filmes
- man
- Mangueira
- Marcus Garvey
- memórias
- Memorization
- Miguel Gomes
- Milita
- militant cinema
- morocco
- museums
- músicas do mundo
- nairobi
- não dança?
- ngorongoro
- Nito Alves
- pan African & arts festival
- patera
- perfomance
- police brutaliy
- police violence
- political riots
- post-colonial
- practices of resistance
- próximo futuro
- Racismo
- Robyn Orlin
- RUI MAGALHÃES
- S.Tomé
- Samba
- Sana Na 'Hada
- sandwich
- schools
- SOS Racismo
- south african
- stereotypical images
- suburb
- Suelny Rolnik
- Ta-Nehisi Coates
- Tarnac
- turismo
- URSS
- victor gama
- Visuality
- William Shatner e Amílcar Cabral
- Witchcraft
- Word
- “Pessoa
 It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.
				It’s about contesting narratives: not only narratives about Africa, Africans, Capeverdeans, and about our diverse perspectives, but also narratives about what cinema is, and what it can be, who gets to watch and be watched, who gets to speak and be heard. It is slow but necessary work. It is the work of re-inscribing our collective imagination with images that belong to us and that, in turn, transform us, and then the world.		



