Meirinho Mendes, actor extraordinary

Meirinho Mendes, actor extraordinary Meirinho has a voice which conveys conviction, the look in his eye is steadfast, his body unflinching, though bursting at times with a provocative impetuosity. He is an actor with great vitality: his energy spills over and has to be worked on with the discipline that the theatre demands. And this at times is difficult because Meirinho is, as a person, over the top. But this very feature, channelled into the theatre, can give birth to genius.

Face to face

29.11.2010 | by Marta Lança

The Beauty of elusive Architecture –António Ole's exhibition “In the skin of the city”

The Beauty of elusive Architecture –António Ole's exhibition “In the skin of the city” n his new exhibition project In the skin of the city (Na pele da cidade) António Ole talks about space. It is about his hometown Luanda, but could be any other city as well. A place, where he stopped on one of his many travels, to absorb it's particularity. To absorb and let it be inscribed into his very own skin. In the past years he has seen many places during his travels for various exhibitions in the international art-world.

Face to face

27.11.2010 | by Nadine Siegert

Vast Namibe

Vast Namibe Vast Namibe is a beautiful book of photographs by Jorge Ferreira “on landscapes, people, animals and plants in the province of Namibe” with text and captions by Cristina U. Rodrigues and graphic design of João Ribeiro Soares.

Ruy Duarte de Carvalho

25.11.2010 | by Cristina Salvador

"Off-screen" project

"Off-screen" project Starting from original political determinations of Mozambican propaganda films, the Off-screen method induces or just identifies the unfolding of relational transformations that are raised basically from putting perception itself at play. It suggest that archive genealogy or any other documentary organization approach combines a relational process with a sizeable shift to the realm of the (political) present.

Afroscreen

25.11.2010 | by Catarina Simão

Marrakech Art Fair

Marrakech Art Fair The Museum of Marrakech, situated in the heart of the old Medina, hosted Resonnance exhibition featuring a number of works by artists of Moroccan origins. Painting, photography, video art, graphic design, all the artistic forms gathered in this collective exhibition to celebrate the rich cultural background that brought into the artistic scene those artists: Mounir Fatmi, Aziza Alaoui, Chourouk Hriech, Mohamed El Baz, Lalla Essaydi, Malik Nejmi and others.

I'll visit

25.11.2010 | by Hasnae Fathi

Safari in a Taxi

Safari in a Taxi One Swahili word would travel to integrate countless different languages: safari, meaning ‘journey’. Turks, Chileans, Indonesians, Swedish, Australians and Lithuans, together with many more inhabitants of all the five continents, all understand this word, because it is part of their vocabulary, although in the stricter sense of a journey for wild life observation.

I'll visit

22.11.2010 | by Nuno Milagre

New Orleans Jazz Funeral

New Orleans Jazz Funeral After Slavery was abolished, there were many Social Aid and Pleasure Clubs formed in New Orleans which were benevolent societies that organized social activities, provided funerals for the members and helped maintain the tradition alive. When people doubted that New Orleans could be reborn form Hurricane katrina, it was those societies and many other traditions that live in the hearts of the people that motivated them to return and rebuild their lives in the city they love.

City

17.11.2010 | by José Fernandes

Travel with the writer and movie maker Ruy Duarte de Carvalho

Travel with the writer and movie maker Ruy Duarte de Carvalho  Ruy Duarte de Carvalho, who recently left this world, lived a life associated to traveling, which incidentally is one of the favorite themes of his books - a production that goes beyond a dozen, including poetry, fiction and essay. With the course of agricultural regent, which he concluded in 1960, went through big part of the Angolan territory working on coffee plantations and also in traditional agro-pastoral production, taking care of sheep in Caranculo, in the (then) province of Moçâmedes, now Namibe.

Ruy Duarte de Carvalho

13.11.2010 | by Marta Lança

“The oral tradition is for me a cult”, interview Ana Paula Tavares

“The oral tradition is for me a cult”, interview Ana Paula Tavares born in Huíla, in the midst of an unjust colonial society. There were pastors there. What I owe to the Nyaneka society is poetry, music, the sense of smell, southern orientation. Contact (for anyone in the process of assimilation) was forbidden to us. And it was for this very reason stronger. To learn and to know who they were and who we were was always linked to the paradigm of orality, the flame that wells from being of a place, being aware of the cycles, respect for difference, and an abhorrence of injustice.

Face to face

07.11.2010 | by Pedro Cardoso

Lunda-norte,In the Kingdom of Muatyânvua

Lunda-norte,In the Kingdom of Muatyânvua Kundi had succeeded Iala Maku, and now he was getting old. Harmony among the peoples of Lunda was getting strained. Who would succeed the old man Kundi? One of the boys? Tchinguri or Tchinhama? Or the girl, Lwéji, the youngest daughter of his second wife? They say the brothers could not get on together. Tchinguri was more dashing, Tchinhama more thoughtful. However that may be, one day the boys burst into their father's tchota (palace), drunk as lords on palm wine and went for the old man because both of them wanted to take over. The old man was half blind and dying, but he cursed them and told them there and then that neither of them would take his place. He called the macotas (the elders) and said he was handing over to Lwéji, the boys' half-sister. And so the Muatyânvua empire started in heh village of Mussumba, with the marriage of Lwéji, the new Lunda queen, to the Baluba hunter Tchibinda Ilunga.

To read

31.10.2010 | by Carlos Lousada

Milita. The song of the butterfly.

Milita. The song of the butterfly. She lives now in France, where she founded the association for Angolan artists resident there. Her companion is a Croatian musician who also “does a touch of painting.” Whenever there’s a chance, she’s up on stage. And there’s no better end than her own words: “every time I sing, I live the moment with the same amazement as the butterfly on the only day of its life, perched on the coloured petal of a flower.”

Stages

27.10.2010 | by Mário Rui Silva

"Heart there and body here in Pretugal." In between mestizagem and the affirmation of blackness

"Heart there and body here in Pretugal." In between mestizagem and the affirmation of blackness I set out to understand the modes of sociability of the Red Eyes Gang, a group of youths from Arrentela, Seixal, on the outskirts of Lisbon. The majority of them are children of African immigrants from countries that were formerly Portuguese colonies, and live in socioeconomic conditions well below those of the Portuguese. All were born in Portugal or arrived very young, never knowing their parents' countries of origin. However, they appropriate some of their ethnic and cultural heritages because of the stigmatization and racism to which they are subjected, reworking their condition of being poor and black. They do not mechanically reproduce the way of life and ethnic influences of their families, but reinvent them with imagination, thus producing positive statements about themselves.

To read

21.10.2010 | by Otávio Raposo

Self-Portrait As a White Man

Self-Portrait As a White Man Fonti Gallery presents the second solo exhibition of the Angolan photographer Kiluanji Kia Henda. The show is a project developed by the artist between Venice and Luanda in the framework of the international residency programme Art Enclosures produced and created by Fondazione Venezia and organized in collaboration with Polymnia and Bevilacqua La Masa Foundation in Venice.

Face to face

21.10.2010 | by Kiluanji Kia Henda

“What I do best is what is most deeply rooted in us” - Paulo Flores

“What I do best is what is most deeply rooted in us” - Paulo Flores Paulo Flores is a musician, singer and composer. In terms of music in Angola, his voice is unmistakable. His career spans 20 years, he has made 11 records, he has placed his stamp on Angolan music, and he has renovated Angolan culture. His music pays tribute to his homeland, his lyrics put him in the vanguard. His last work is the trilogy “ExCombatentes” (Veterans). The three parts (“Viagem” (Journey), “Sembas” (Semba Music) ande “Ilhas” (Islands) is nothing short of a virtuoso display of talent.

Face to face

21.10.2010 | by Marta Lança

Grow and grow and grow

Grow and grow and grow He’d spend hours scripting the captions, and if the papers changed them he’d write to the picture editor to complain. H’s obsession with providing the absolute explanation of the context of his photographs became compulsive. Sometimes he’d write several paragraphs detailing the personal histories of each person — or body — in the picture. He’d also include information about how he’d been feeling when he took the picture, whether he was scared, happy, jealous or guilty.

To read

11.10.2010 | by Lara Pawson

Carlos Paca “Theatre and its instant feedback is the real deal”

Carlos Paca “Theatre and its instant feedback is the real deal” When it comes to being black, they are much more open minded and the struggle for work is taken seriously. They still complain, of course. But the difference is that a black actor in Brazil is a Brazilian, but in Portugal you feel like an immigrant - and how! If we are excluded from all sectors of society, what can we do? But there’s the other side of the coin: what do black actors do to counteract this situation?

Face to face

11.10.2010 | by Marta Lança

René Tavares: "(Un)finished"

René Tavares: "(Un)finished" "René Tavares translates lines, dashes, blots, a personal synthesis of his own identity always in process (“unfinished”) set in constant movement in between past and present references". The last exhibition at Galeria Bozart (Lisbon).

Face to face

07.10.2010 | by Lúcia Marques

Guinea-Bissau: if a boat moored

Guinea-Bissau: if a boat moored In July 2009, the campaign for the second round of presidential elections in Guinea-Bissau had been on the streets for a week. But the leading players are not only Kumba Ialá and Malam Bacai Sanhá, but also the people, who reject violence and fear the power of the military and narcotraffickers.

To read

01.10.2010 | by Pedro Cardoso

Luanda, a state of emergency

Luanda, a state of emergency Luanda 2005. Some predators arrive possessed by amino acids of opportunities. It is the beginning of a series of projects and businesses, the rules are drawn with which wild capitalism will be mercilessly ingrained. Consolidated peace, will and dynamism, spirit of reconstruction. One invests in the country with economic growth potential, rich in natural resources where no one is out to lose.

City

01.10.2010 | by Marta Lança

Shona anthroponyms as summaries of the namers and the named’s experiences

 Shona anthroponyms as summaries of the namers and the named’s experiences This article asserts that names are an important aspect of any language. It argues that they act as a summary statement of the lives of the named and or those who give the names. The paper further observes that names that the Shona give are an indicator of their response to their situation in life. The situation includes success, failure and misfortune. The paper also observes that some names start off as nicknames and end up becoming family names. It again highlights that some names are not permanent, especially to the younger ones. They can assume new ones, especially with the passage of time due to changed circumstances like when one assumes a titular name, especially when she or he becomes chief or head of a clan.

To read

25.09.2010 | by Shumirai Nyota