The Sad Story of Our Films

The Sad Story of Our Films In Ethiopia films are financed entirely by private businessmen, who anticipate profit out of film production; in a best case, individuals who want to finance films for the love of the art and as a side business with less anticipation of big profit. Yet both groups of producers want to see their production at least covering its own cost and become a sustainable sector.

Afroscreen

29.11.2011 | by Aron Yeshitila

Feminism and Africa: Impact and Limits of the Metaphysics of Gender

Feminism and Africa: Impact and Limits of the Metaphysics of Gender For the most part, prevailing definitions of gender in African studies have come from disciplines located within the Western body of knowledge. Scholars are often unaware how much these definitions are steeped in the mores and norms of the Judeo-Christian tradition, and the social conventions of European and European American cultures.

To read

01.11.2011 | by Nkiru Nzegwu

The Performance “Kawa” of the Dance Company Chatha (Hafiz Dhaou, Aicha M´Bareck)

The Performance “Kawa” of the Dance Company Chatha (Hafiz Dhaou, Aicha M´Bareck) The stage and the auditorium are darkened. Suddenly a noise of clinking glasses in the audience is to hear. The stage light is slowly moved in, it remains dimmed considerably. The room is bare, dark and corresponds to a black box theatre. One can see a mountain of white cups on the right half of the stage.

Stages

20.10.2011 | by Grit Köppen

Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest Sensibility at Liberty Plazza

Occupy Wall Street: Carnival Against Capital? Carnivalesque as Protest Sensibility at Liberty Plazza While some commentators and journalists have dismissed Occupy Wall Street as carnival, lawmakers and policemen did not miss the point. Carnival per se, the Shrovetide festival, hardly exists in the United States anymore, save for Mardi Gras in New Orleans and the West-Indian American or Labor Day Parade in Brooklyn, a pan-Caribbean celebration.The carnivalesque, however, as medium of emancipation and instrument of political protest, is alive and well. (...) Carnivalesque protests are a staple of the anti-corporate globalization movement.

City

18.10.2011 | by Claire Tancons

Interview with the South African Performer Sello Pesa in Berlin

Interview with the South African Performer Sello Pesa in Berlin "I think there are so many misconceptions about African cultures. Besides, I use the ideas of used objects for rituals, but the material is different. Sometimes I abstract additionally the movements of such rituals. Anyway, I feel the need to alienate ritual elements; they mainly serve as an inspiration for me".

Stages

11.10.2011 | by Grit Köppen

Angolan origin

Angolan origin My concern is not to say who is and who is not Angolan. In Angola, as in any modern society, being Angolan is defined by the nationality law. Portugal began to nationalize all the native of colonies during the colonial war. Denationalizing them was among the first political acts of the government resulted from the 25th of April.

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09.10.2011 | by António Tomás

Risking what opens the way, interview with António Pinto Ribeiro

Risking what opens the way, interview with António Pinto Ribeiro A particular cultural expression results from an expectation that a group has in relation to the culture and the world, but also in its hereditary burden, in what, in the English-speaking world, is well called heritage. Of course, because of tradition or expectation, many of these cultures and groups come into conflict. It may be productive, since it is assumed as a normal part of democracy. As there is negotiation between groups and cultural expressions, where the intervention in the city and political and social issues cannot be replaced by culture, we find ourselves in a rich and democratic situation. Cultural productions should translate that.

Face to face

06.10.2011 | by Marta Lança

Lusosphere is a bubble

Lusosphere is a bubble Lusosphere has a long way to go to become more interesting. If considered from the Portuguese standpoint, lusosphere reverberates the colonial past, people relate to and interest in the stories of each other more forcefully within the boundary of this "imagined community" that, despite this name, does not help them in living conditions and, if a Lusophone project exists, in most respects it has failed miserably.

Games Without Borders

03.10.2011 | by Marta Lança

Out at Sea - Production notes from the documentary film 'Letters from Angola'

Out at Sea - Production notes from the documentary film 'Letters from Angola' Carlos is the character I am most worried about. I’d only spent a few hours with him before, and I am not sure what he will reveal about his time in Angola and how that will fit into the film. He is a fisherman, his skin deeply tanned from a lifetime at sea.

Afroscreen

01.10.2011 | by Dulce Fernandes

Mozambique: Ocupações Temporárias

Mozambique: Ocupações Temporárias Beyond Boetjan and the South African connection, occupation of one form or another has always been part of the collective psyche of Mozambique. Attempts to explore this, however, are far more recent. A new mixed media exhibition, Ocupações Temporárias (temporary occupations), sees five young Mozambican artists attempt to do just that.

I'll visit

01.10.2011 | by Dave Durbach

Mamela Nyamza: the body as instrument

Mamela Nyamza: the body as instrument Multiple award-winning dancer, choreographer, teacher and development activist Mamela Nyamza, the 2011 Standard Bank Young Artist Award Winner for Dance, started using dance to translate the world around her as a child growing up in Gugulethu in the 1980s.

Stages

28.09.2011 | by SouthAfrica Reporter

Gregory Maqoma: “Beautiful Me” (Solo)

Gregory Maqoma: “Beautiful Me” (Solo) The solo violin playing of Isaac Molelekoa is so impressive, melancholic and space pervading that the viewers are dispelled. Extremely slow a dancer becomes visible, who stands in a narrow cone of light in the center of the stage. It is a quiet, strong and contrastive picture - this disturbing music of the violinist, that encourages you to move either internally or externally, and the continued structural integrity of the dancer Maqoma on stage.

Stages

22.09.2011 | by Grit Köppen

The Future of Arab Revolts: interview with Samir Amin

The Future of Arab Revolts: interview with Samir Amin Isn't only about toppling the reigning dictators, but it is an enduring protest movement challenging, at the same time, both various dimensions of the internal social order, especially glaring inequalities in income distribution, and the international order, the place of Arab countries in the global economic order.

Face to face

19.09.2011 | by Samir Amin

“Terceira Metade” (“Third Half”): Between honey and poison: the dangers of the sweet charm of Portuguese language

“Terceira Metade” (“Third Half”): Between honey and poison: the dangers of the sweet charm of Portuguese language I set lusosphere as a debate far from any substance, a virtual focus that, referring to Portuguese language, develops its own dynamics in different national contexts. Far from being in front of a consensual thought, lusosphere hovers on situations of tension that put in contact these different contexts with each other.

To read

17.09.2011 | by Omar Thomaz Ribeiro

York University research published: study on new migratory paradigm in Cape Verde and in Africa

York University research published: study on new migratory paradigm in Cape Verde and in Africa Pedro F. Marcelino has released a study on the new migratory paradigm emerging in post-9/11 Cape Verde. The study reflects a socio-economic context in which out-migration to traditional overseas destinations is no longer the only migratory phenomenon in the islands. The country has seen a steep increase in part- and full-time resident Europeans, as well as Chinese and continental African migrants. The research proposes that anti-terrorist measures and immigration control policies in both the USA and the EU after 9/11 have altered the migratory map of West Africa, whilst failing to curb people’s aspirations to depart and seek a better life.

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16.09.2011 | by Pedro F Marcelino