What Djaimilia Pereira de Almeida writes can be understood as a powerful transformation tool regarding the Portuguese human landscape. With it, the painful fragments of a history made up of frustrations and disappointments, of ruptures and withdrawals and of ambiguous felling are not erased, instead they are reunited in a healing coexistence. 
This article explores the role of Kuduro, the popular Angolan electronic music and dance style in the process of updating the national Angolan identity called angolanidade to the conditions of the new millennium. 
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