Almada Negreiros
Articles tagged with Almada Negreiros
Tag Archive
- African cinema
- african culture
- Alemanha
- Ariel Bogault
- arte contemporânea
- Ateler Mutanba
- Ayres de Magalhães
- Bienal de Coimbra
- Bienal de S.Paulo
- Biennial Conference Network Afroeuropeans:
- body
- borders
- branqueamento
- caboverdiano
- Carlos Nô
- Carnaval
- Carnival
- Ceramics
- César Schofield Cardoso
- Cleo Diára
- Coleira
- contemporary city
- creolo
- decolonial studies
- diálogo
- drawing literature
- édouard glissant
- epistemologia
- escolha
- esse cabelo
- ethnic minority workers
- european union
- Festa do Avante
- film
- FLÁVIO CARDOSO
- forced migration
- games without borders
- gente de cor
- Guiné Bissau
- havana
- history of Africa
- Ícaro Lira
- interpretação do Brasil
- intersectionality
- Iva Pinhel Évora
- jungle
- Kurdish people
- labels
- Lee-Ann Olwage
- Leila Kilani
- Lost lover
- Luandaino Vieira
- Lumumba Square
- luso-tropicologia
- lusophony
- Manthia Diawara
- Mão Morta
- Memorial to Homage Enslaved People
- mental health
- meteorisation
- mudança
- multiculturalism
- museum
- música popular
- Mwamby Wassaky
- nacionalismo
- nacionality
- Negro
- Nicholas Mirzoeff
- Nova Lisboa
- Oppressions
- ortigrafia
- Paisagens Efémeras
- pandemia
- patrice Lumumba
- património
- PCP
- Pedro Neves Marques
- pensamento
- performs
- periferias
- polémica
- pop culture
- Quem mora nesta Buala
- Saidiya Hartman
- Samir Amin
- Sexual Misconduct in Academia
- Sexual Misconduct in Academia: Informing an Ethics of Care in the University
- sondagens
- Steve Paxton
- Stuart Hall
- Super Camões Richard Zenith
- Tamoda the Master
- theo gould
- Third Half
- Vitor belanciano
- winners
- woman
- xxx
- Yonamine
 The questions raised by Ana Bigotte, on the contrary, are not formulated in the strict disciplinary framework of art history, but from the porous and open framework of theory and cultural studies, taking as fundamental references the work of authors such as Luís Trindade or Boaventura de Sousa Santos, whose object goes beyond the specific sphere of the artistic to approach culture as a social process with multiple branches. It does so by following the path opened by André Lepecki, who formulated interesting hypotheses about the construction of the Portuguese social "body" from the study of dance and performance. This is another distinctive specificity of the Portuguese case that contrasts with that of the neighboring country: the focus on the arts of the body and the so-called "living arts", such as theater, dance, and music.
				The questions raised by Ana Bigotte, on the contrary, are not formulated in the strict disciplinary framework of art history, but from the porous and open framework of theory and cultural studies, taking as fundamental references the work of authors such as Luís Trindade or Boaventura de Sousa Santos, whose object goes beyond the specific sphere of the artistic to approach culture as a social process with multiple branches. It does so by following the path opened by André Lepecki, who formulated interesting hypotheses about the construction of the Portuguese social "body" from the study of dance and performance. This is another distinctive specificity of the Portuguese case that contrasts with that of the neighboring country: the focus on the arts of the body and the so-called "living arts", such as theater, dance, and music.		



