The following dialogue was conducted after the very first action. “Common Ground” was a reading session in which organizers and participants from different cultural backgrounds and with different native languages faced the problem of translation and the complicated, thorny question of language hierarchy in academia (and thus, a hierarchy of ideas). In this dialogue, now reproduced in the written form of an interview, Sala had fulfilled her genuine wish to break the “collective isolation” that many people - including artists - have been facing until now. 
There is no Afro-Brazilian art student I have met who is not enthusiastic about Mbembe’s thoughts. This is definitely a good sign; an expression of the growing debate about racism, hidden for too long in Brazil. The current political situation does not leave space anymore for denial. It is also a reflection of two factors: firstly, the complexity of the relation between decoloniality and globalisation in the South; and secondly, the relation between publishing policies and the circulation of critical thought. 
Jean’s aim is to give these people and their frustrations a voice, and to make the viewer confront their own perspectives on migration. “I think a lot about the indifference that characterizes the complicit silence of the rest of the world towards victim states,” he says. “I’m inviting an awareness necessary to free the world from these dehumanizing practices.” 
Certainly, the virtual dimension will take a new importance, also in light of the massive use of digital tools that this new reality brought with itself, but also in relation to the fact that artists might end up not traveling a lot like before…who knows! The art that will change is only in relation to travel and distance. What could definitely change might be the distribution channels, moving more and more into streaming and digital platforms…but I really hope that this won’t happen. The emotion that live art arouses is incomparable. 
In Bisa's artwork , color is a language that speaks about African American evolution from enslavement in the United States to today's ongoing fight for Black liberation Bisa also draws on her Ghanaian heritage by illustrating the vibrancy of Africa's textile and fabric traditions. These artistic methods allow her to examine several themes including family, community, youth and power. 
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