The (re)uses of the past

The (re)uses of the past This reusing of the past requires us to reflect on how traumatic histories are collectively absorbed, and on how histories can be revised, even distorted, when they are reread. When the past is reused, its image is reinscribed through the prism of a particular, usually other, ideology with the intention of evoking a particular past and creating its counter image. This manoeuvre often has hegemonic ambitions, and aims to impact public opinion.

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02.01.2019 | by Roberto Vecchi

Lisbon and the Memory of the Empire: Patrimony, Museums and Public Space

Lisbon and the Memory of the Empire: Patrimony, Museums and Public Space Its purpose is to analyse the several examples by which “images” related to the imperial history of Portugal are built and copied, thus being understood as a fundamental and articulating axis of the Portuguese national identity. The focus is therefore on a “image-memory” or a memory-representation, authorized by the State, by its corporation and by institutions of public culture and not so much on a memory-routine, passed on in the realm of daily social interactions, or a memory-remembrance, passed on verbally.

City

20.11.2018 | by Elsa Peralta

The gulf between truth and memory

The gulf between truth and memory When history and duties to memory are ignored, truth can easily be thought of as a personal choice. Once accommodated in powerful discourse, these “truths” assume impunity: often disregarded and rarely condemned, even though they represent hate speech. Hatred has been normalized and has propelled a radicalism in which “good” struggles against “evil.” In this dichotomy, evil is once again the ‘other’. A discourse that does not humanize the ‘other’ authorizes barbarism – as we have seen in the post-election reactions

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05.11.2018 | by Fernanda Vilar

Nova Lisboa

Nova Lisboa Taking these portraits as a starting point, what segregation does is to create contradictory sentiments between the delectable nostalgia of a privileged minority and the disavowal of a brutally exploited majority. All of history can be interpreted in multiple ways, like a work of art, and in Jasse’s work the myriad readings available to the observer are left open in an approach that is utterly unpretentious.

I'll visit

14.09.2018 | by Kiluanji Kia Henda

Declaration of war 1

Declaration of war 1 I said to one of them, who was very injured, “The troops can’t do anything for you, what do you want before you die?” He asked for water, I told the soldier to fetch water but gave him a signal not to go, that it wouldn’t be necessary. I picked up an FBP submachine gun, which wasn’t reliable, and fired a shot to kill him, but he stepped to the side.

Mukanda

25.06.2018 | by Vasco Luís Curado