The Culture of Coloniality

The Culture of Coloniality Decolonising a cultural institution does not just mean considering the matter and organising exhibitions and seminars. In the current context, decolonising a museum requires a constant effort to take a position in regard to the migratory control system; it requires accepting that it is impossible to continue programming activities and events while there is a total normalisation of the existence of Migrant Detention Centres, forced deportation flights on a mass and individual scale, individuals with semi-rights and anti-rights, and situations of extreme violence in border zones which are the local contexts where these projects are presented. Decolonizing Museums, L'Internationale Online Issue 2, September 2015.

Games Without Borders

27.02.2016 | by Daniela Ortiz

Open Arms Closed Doors

Open Arms Closed Doors The booming economic juggernaut in Brazil has transformed lives. It has also acted as a beacon attracting migrants from all over the world, including the former Portuguese colony of Angola. Expecting to find a vast multicultural embrace, Angolan immigrant Badharo instead finds barriers and even racism in Rio. So he turns to music as a way to express his disappointment, pain and outrage. Set against the tragic death of a young Angolan student, we experience the frustrations Badharo and his family face as their Brazilian dreams encounter a very different reality.

Afroscreen

06.02.2013 | by Juliana Borges and Fernanda Polacow

Drawing the lines, postcolonial Lisboa and other modern fortresses Europe

Drawing the lines, postcolonial Lisboa and other modern fortresses Europe How is cosmopolitanism to be practiced, if the city persists in creating barriers between insiders and outsiders? If traditional boroughs of Lisbon are inhabited by recent immigrants, they are easily fixed into specific territories, such as Martim Moniz, Praça de S. Domingo or Restauradores, some parts of Alfama, former Jewish and Moorish ‘ghettos’, a testimony to the ever permanent ‘multicultural’ character of the city, as well as its more tolerant and racist moments.

City

13.05.2010 | by Manuela Ribeiro Sanches